{"id":292,"date":"2014-08-16T15:46:45","date_gmt":"2014-08-16T14:46:45","guid":{"rendered":"http:\/\/www.argia.eus\/blogak\/antonio-casado-da-rocha\/?p=292"},"modified":"2014-08-16T15:46:45","modified_gmt":"2014-08-16T14:46:45","slug":"19-mendeko-alaitasuna","status":"publish","type":"post","link":"https:\/\/blogak.argia.eus\/antonio-casado-da-rocha\/2014\/08\/16\/19-mendeko-alaitasuna\/","title":{"rendered":"19. mendeko alaitasuna"},"content":{"rendered":"

Atzo itzuli zen La Boh\u00e8me<\/em>, operarik donostiarrena (19. mendeko Parisen gertatzen da, hamabostaldian gehien errepikatu den opera<\/a>, bertan erretreta eta danbor nagusia ere aipatzen dira…). Tragedia dela diote, opera tristea, amaiera zoriontsurik gabekoa. Ez, nik uste. Alaitasunari buruzko lezioa iruditu zait niri, alaitasuna Kierkegaard<\/a>en moduan ulertzen badugu behingoz:<\/p>\n

Zer da alaitasuna, zer esan nahi du alai izateak? Bada, benetan nor bere buruaz jabetzea; eta nor-bere-buruaz-jabetze hori hitz egin dugun \u201cgaurkoa\u201dren berdina da, gaur existitzea da, benetan gaurko egunerako<\/em> bizi izatea da. Gaur bizi zarela zuretzat egia handia den heinean, gaur existitzen zarelako zure buruaz jabetu zaren heinean, orduan zuretzat ez da existituko zorigaitzaren eguna, biharko eguna. Alaitasuna da oraingo denbora, oraingo<\/span> hitza guztiz azpimarratuta.<\/span><\/p>\n

Bello in allegra vampa svanir<\/em> kantatzen duten hasiera-hasieratik: sugar alaien artean desegite ederra. Eta lieta<\/em> hitza (\u201calai\u201d) bitan agertzen da protagonistek elkar ezagutzen eta elkar maitatzen duteneko eszenan (1:51\u201d eta 5:11\u201d):
\nhttps:\/\/www.youtube.com\/watch?v=y8cWZ3abExw<\/a>Denok dakigu Mimi hilko dela pobreziak eta gaixotasunak jota, eta bera bezala gu ere hilkorrak garela. Baina entzun 7:15\u201dtik aurrera doan aria eta esango didazu hori goiko alaitasuna den ala ez. \u201cE via i pensier\u201d, pentsamenduak kanpora, bihar berriz emango dute, Kursaalen.<\/p>\n","protected":false},"excerpt":{"rendered":"

Atzo itzuli zen La Boh\u00e8me, operarik donostiarrena (19. mendeko Parisen gertatzen da, hamabostaldian gehien errepikatu den opera, bertan erretreta eta danbor nagusia ere aipatzen dira…). Tragedia dela diote, opera tristea, amaiera zoriontsurik gabekoa. Ez, nik uste. Alaitasunari buruzko lezioa iruditu zait niri, alaitasuna Kierkegaarden moduan ulertzen badugu behingoz:<\/p>\n","protected":false},"author":52,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"class_list":["post-292","post","type-post","status-publish","format-standard","hentry","category-opera"],"yoast_head":"\n19. mendeko alaitasuna - High alaitasuna<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogak.argia.eus\/antonio-casado-da-rocha\/2014\/08\/16\/19-mendeko-alaitasuna\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"19. mendeko alaitasuna - High alaitasuna\" \/>\n<meta property=\"og:description\" content=\"Atzo itzuli zen La Boh\u00e8me, operarik donostiarrena (19. mendeko Parisen gertatzen da, hamabostaldian gehien errepikatu den opera, bertan erretreta eta danbor nagusia ere aipatzen dira…). 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