{"version":"1.0","provider_name":"Ikusi makusi, zer ikusi?","provider_url":"https:\/\/blogak.argia.eus\/gaizka-izagirre","title":"&quot;Wayward Pines&quot;, Shyamalan-en telesaila, iristear - Ikusi makusi, zer ikusi?","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"tQvliAY1Z6\"><a href=\"https:\/\/blogak.argia.eus\/gaizka-izagirre\/2015\/03\/26\/wayward-pines-shyamalan-en-telesaila-iristear\/\">&quot;Wayward Pines&quot;, Shyamalan-en telesaila, iristear<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blogak.argia.eus\/gaizka-izagirre\/2015\/03\/26\/wayward-pines-shyamalan-en-telesaila-iristear\/embed\/#?secret=tQvliAY1Z6\" width=\"600\" height=\"338\" title=\"&#8220;&quot;Wayward Pines&quot;, Shyamalan-en telesaila, iristear&#8221; &#8212; Ikusi makusi, zer ikusi?\" data-secret=\"tQvliAY1Z6\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/blogak.argia.eus\/gaizka-izagirre\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Manoj Nelliyattu Shyamalan, Indiar jatorriko estatubatuar zinema zuzendari, gidoigile eta ekoizlea. Gorrotatua eta maitatua aldi berean. Hasierako filmekin nire zuzendari gogokoenetarikoa bilakatu zen tipoa; The Sixth sense, Unbreakable, The Village eta Lady in the water, zoragarriak iruditzen zaizkit, bikainak. Signs eta The Happening aldiz,\u00a0 nabarmentzeko moduko hainbat alderdi dituztela uste dut. Baina 2008tik aurrera, bere [&hellip;]","thumbnail_url":"https:\/\/blogak.argia.eus\/gaizka-izagirre\/wp-content\/uploads\/sites\/54\/2015\/03\/WWP_FIRST_LOOK_2500_1280x720_253950531900-1024x576.jpg"}