{"id":7547,"date":"2015-12-30T08:11:28","date_gmt":"2015-12-30T07:11:28","guid":{"rendered":"http:\/\/www.argia.eus\/blogak\/gaizka-izagirre\/?p=7547"},"modified":"2015-12-30T08:11:28","modified_gmt":"2015-12-30T07:11:28","slug":"2015eko-film-onenak","status":"publish","type":"post","link":"https:\/\/blogak.argia.eus\/gaizka-izagirre\/2015\/12\/30\/2015eko-film-onenak\/","title":{"rendered":"2015eko film onenak"},"content":{"rendered":"

\"Sin<\/a>
\nOriginaltasun handia erakutsiz, urteko onena batzen duten zerrendekin jarraituko dut. Orain egun batzuk, nire ustez, 2015eko telesail onenak<\/a> zeintzuk ziren aipatu nituen. Gaurkoan,\u00a0\u00a0pantaila txikitik handira salto eginez, aurtengo ezinbesteko filmen zerrenda osatzeko beharra sentitu dut. Egia esan, telesailen zerrenda baino, dezente gehiago kosta zait hau osatzea, ikaragarri gustatu zaizkidan multzo bat zegoelako, baina ez ordea faborito argi bat.
\nSarien denboraldia orain aste batzuk hasi zen arren –Urrezko globoen izendapenekin esaterako-<\/em> , bertako film garrantzitsu asko ikusteko, itxaron egin beharko dugu. Euskal herrian, Revenant, Joy, The Hateful eight\u00a0<\/em> ala Spotlight<\/em> adibidez, 2016 an estreinatuko direlako. Beraz, orain arte ikusitakoarekin osatu behar izan dut zerrenda.\u00a0 Harira, hementxe\u00a02015eko film onenak.
\n<\/strong>
\n
\n 
\n <\/p>\n

\n

 <\/p>\n

20- Bone Tomahawk<\/strong><\/h1>\n

\"\"<\/span> AEB<\/p>\n

\"bone-tomahawk_612x380_0_huge\"<\/a>
\nZuzendaria: <\/strong>S. Craig Zahler
\nAktoreak:<\/strong>Kurt Russell, Patrick Wilson, Matthew Fox, Lili Simmons, Richard Jenkins
\n133\u00a0 minutu.
\n1850.<\/span> <\/span>urtean<\/span> <\/span>kokatua<\/span> eta<\/span> <\/span>Western-a<\/span><\/span>,<\/span> <\/span>umorea<\/span> <\/span>eta<\/span> <\/span>beldurrezko<\/span> <\/span>generoa<\/span> <\/span>uztartzen<\/span> <\/span>dituen<\/span> <\/span>film<\/span> <\/span>bitxia<\/span>.<\/span>\u00a0<\/span> <\/span>Argumentuaren<\/span> <\/span>abiapuntua<\/span> <\/span>oso<\/span> <\/span>berritzailea<\/span> <\/span>ez<\/span> <\/span>izan<\/span> <\/span>arren<\/span>,<\/span> <\/span>kontatzeko<\/span> <\/span>eran<\/span> <\/span>eta<\/span> <\/span>batez<\/span> <\/span>ere<\/span> <\/span>garatzeko<\/span> <\/span>moduan<\/span> <\/span>aurki<\/span> <\/span>daiteke<\/span> <\/span>erakargarritasun<\/span> <\/span>handiena<\/span>.<\/span> <\/span>Egitura<\/span> <\/span>aldetik<\/span> <\/span>ausarta<\/span> <\/span>iruditu<\/span> <\/span>zait<\/span>.<\/span> <\/span>Road<\/span><\/em> <\/span>movie<\/span><\/span> <\/span>baten<\/span> <\/span>moduan<\/span>,<\/span> <\/span>filmaren<\/span> <\/span>hiru<\/span> <\/span>laurdenak<\/span> <\/span>protagonisten<\/span> <\/span>ibilbidea<\/span> <\/span>erakusten<\/span> <\/span>dizkigulako<\/span>,<\/span> <\/span>bidaiari<\/span> <\/span>garrantzia<\/span> <\/span>emanez<\/span>.<\/span> <\/span>Amaieran ordea<\/span>,<\/span> <\/span>biraketa<\/span> <\/span>moduko<\/span> <\/span>hori<\/span><\/em> <\/span>gertatzen<\/span> <\/span>denean<\/span>,<\/span> <\/span>nortasun<\/span> <\/span>handiko<\/span> <\/span>ekoizpena<\/span> <\/span>bihurtzen<\/span> <\/span>delarik<\/span>.<\/span>
\n<\/span><\/p>\n

\n

19- Mustang<\/strong><\/h1>\n

\"\"<\/span>\u00a0Frantzia<\/p>\n

\"177d7c98-4e95-4265-98cd-53358ca5c287-bestSizeAvailable\"<\/a>
\nZuzendaria: <\/strong>Deniz Gamze Erg\u00fcven
\nAktoreak:<\/strong>Erol Afsin, Ilayda Akdogan, Doga Zeynep Doguslu, Elit Iscan, Ayberk Pekcan, G\u00fcnes Sensoy, Tugba Sunguroglu
\n97\u00a0 minutu.
\nLehen<\/span> <\/span>minutuetan<\/span> <\/span>bost<\/span> <\/span>neskatxen<\/span> <\/span>istorio<\/span> <\/span>arrunt<\/span> <\/span>eta<\/span> <\/span>naif<\/span>\u00a0<\/span><\/em> <\/span>bat<\/span> <\/span>dirudiena<\/span>,<\/span> <\/span>pixkanaka<\/span> <\/span>forma<\/span> <\/span>hartuz<\/span>,<\/span>\u00a0<\/span> <\/span>film<\/span> <\/span>sendo<\/span> <\/span>eta<\/span> <\/span>hunkigarri<\/span> <\/span>batean<\/span> <\/span>bilakatzen<\/span> <\/span>da<\/span>.<\/span> <\/span>Dirudiena<\/span> <\/span>baino<\/span> <\/span>asko<\/span> <\/span>ere<\/span> <\/span>konplexuagoa<\/span>.<\/span> <\/span>Askatasuna,<\/span> <\/span>errepresioa<\/span> <\/span>eta<\/span> <\/span>honen<\/span> <\/span>ondorioei<\/span> <\/span>buruzko<\/span> <\/span>kontakizun<\/span> <\/span>suntsitzailea<\/span>.<\/span>
\n<\/span><\/p>\n

\n

 <\/p>\n

18- Paulina<\/strong><\/h1>\n

\"\"<\/span>\u00a0Argentina<\/p>\n

\"Fonzi-Mitre-enamoraron-rodaje_CLAIMA20150517_0055_28\"<\/a>
\nZuzendaria: <\/strong>Santiago Mitre
\nAktoreak:<\/strong>Dolores Fonzi, Oscar Mart\u00ednez, Esteban Lamothe, Cristian Salguero, Ver\u00f3nica Llin\u00e1s, Laura L\u00f3pez Moyano
\n103\u00a0 minutu.
\nPaulina, film honen protagonistak, abokatu lana utzi eta Argentinako eskualde pobretu batera irakasle gisa joatea erabakiko du. Hortik aurrera, filmak eta protagonistak berak, zama eta indar handia hartuz joango dira ezinbesteko ekoizpena sortuz.\u00a0 Kontzientzia astintzaile gisa funtzionatzen duen filma, ikuslearengan etengabeko galdera etiko eta moralak sortuz.<\/p>\n

\n

\u00a0<\/strong><\/p>\n

17- The Martian<\/strong><\/h1>\n

\"\"<\/span> AEB<\/p>\n

\"martian-gallery3-gallery-image\"<\/a><\/p>\n

Zuzendaria: <\/strong>Ridley Scott
\nAktoreak:<\/strong>Matt Damon, Jessica Chastain, Chiwetel Ejiofor, Jeff Daniels, Kate Mara, Michael Pe\u00f1a, Sean Bean
\n142\u00a0 minutu.<\/p>\n

Ridley Scott<\/em> zuzendari Ingelesaren lan berria. Martera egindako misio batean murgildurik daudela, sekulako ekaitzak harrapatuko ditu bertara joandako hainbat astronauta. Ihesaldian, horietako bat, Mark Watney<\/em>, Matt Damonek<\/em> antzeztua, hiltzat joko dutelarik. Hortik aurrera, planeta ezezagun horretan bakarrik eta baliabiderik gabe aurkituko du bere burua.
\nFilm entretenigarria eta hunkigarria. Baina batez ere, zientzia fikzioa eta abentura-espazial batean gutxitan ikusitako errealismoa transmititzen duen ekoizpena. Adituek diotenez, zorrotza oso. Ikusgai dugun teknologia aurreratu hori, oso lagungarri da protagonistarentzat. Baina errealitatean gertatzen den bezala, batzuetan traba bihurtzen delarik, gure erabakiak baldintzatuz. Kontzeptu horietaz gain, interesgarriena nire ustez, hasieratik loratzen den biziraupen gaia da. Zineman, askotan ikusi dugun arren, Ridley Scott-ek, <\/em> bi gai horien oreka bikain bat sortu duela uste dut. Robert Zemeckis-<\/em>en Naufrago filma datorkit burura, baina Marten kokatua eta elementu naturalez josia egon beharrean , teknologia oso aurreratu batez inguratua.
\nIrauten dituen 142 minutu horiek ziztu bizian igarotzen dira bai, eta esan bezala ekoizpen oso entretenigarria, zalantzarik gabe. Baina sakonean begiratzen badugu, biribila bihurtzen ez duten hainbat akats txiki ageri dira. Hasteko pertsonaiak. Orokorrean, gutxi landurikoak eta oso azalekoak iruditzen zaizkit. Protagonistaren bizitzari buruz adibidez, oso gutxi ezagutzen dugu, eta horrela zaila da memento oro konektatzea eta enpatia sentitzea. Berarekin batera sufritzeko, gehiago ezagutu beharko genukeela uste dut. Gainerako astronautekin beste hainbeste. Honetaz gain, akatsa baino, egonezina sortzen didan gai bat. Gorroto ditut mota honetako film guztietan ageri diren topikoak. Hemen agertuko ez zirenaren itxaropena nuen, baina ez. Adibidez?<\/em> Nasa<\/em>-ko langileak, ehunka pantailei begira, albiste on bat jasotzen duten bakoitzean, zer egiten dute? Betaurrekoak kendu, salto, txalo egin eta noski, ezinbestekoa, paperak airera jaurti\u2013sekuentzia gutxienez hiru aldiz-.<\/em> Ala beste adibide bat, amaierako titulu barregarri horiek . Ni naiz ala 80. hamarkadako sitcom<\/em> txar baten hasierako tituluak dirudite? Kamerari begiratu eta irribarre egitea besterik ez zitzaien falta.
\nBaina tira, akats eta mania pertsonal horiek baztertuz, film sendoa eta oso gomendagarria. Gravity <\/em>eta Interstellar<\/em>-ekin batera azken urteetan gai honi buruz egin den film onenenetarikoa. Entretenigarria, hunkigarria eta bisualki ikaragarria. Ez galdu.<\/p>\n

\n

 <\/p>\n

16- Star Wars. Episode VII:The Force Awakens<\/em><\/strong><\/h1>\n

\"\"<\/span> AEB<\/p>\n

\"Star-Wars-7-Character-Guide-Finn-Rey\"<\/a>
\nZuzendaria: <\/strong>J.J. Abrams
\nAktoreak:<\/strong> Daisy Ridley, John Boyega, Harrison Ford, Carrie Fisher, Oscar Isaac, Adam Driver, Domhnall Gleeson, Max von Sydow
\n135\u00a0 minutu.
\nLehenik<\/span> <\/span>eta<\/span> <\/span>behin<\/span>,<\/span> <\/span>Star<\/span> <\/span>wars<\/span><\/span> <\/span><\/em>sagaren<\/span> <\/span>batere<\/span> <\/span>zaletua<\/span> <\/span>ez<\/span> <\/span>naizela<\/span> <\/span>argitu<\/span> <\/span>nahiko<\/span> <\/span>nuke<\/span>.<\/span> <\/span>Ikusle<\/span> <\/span>arrunt<\/span> <\/span>eta<\/span> <\/span>soil<\/span> <\/span>bat<\/span>,<\/span> <\/span>besterik<\/span> <\/span>ez<\/span>.<\/span> <\/span>Baina<\/span> <\/span>kasu<\/span> <\/span>honetan<\/span>,<\/span> <\/span>ikaragarri<\/span> <\/span>gozatu<\/span> <\/span>dudan<\/span> <\/span>filma<\/span> <\/span>izan<\/span> <\/span>da<\/span>.<\/span>\u00a0<\/span> <\/span>JJ<\/span><\/span> <\/span>Abrams<\/span><\/em>,<\/span> <\/span>talentuz<\/span> <\/span>gainezka<\/span> <\/span>dagoen<\/span> <\/span>tipoa<\/span> <\/span>izateaz<\/span> <\/span>gain<\/span>,<\/span> <\/span>azkarra<\/span> <\/span>ere<\/span> <\/span>bada<\/span> <\/span>eta<\/span> <\/span>ikuslearen<\/span> <\/span>garuneko<\/span> <\/span>tekla<\/span> <\/span>hori<\/span> <\/span>zapaltzen<\/span> <\/span>jakin<\/span> <\/span>izaten<\/span> <\/span>du<\/span> <\/span>askotan<\/span>.<\/span>\u00a0<\/span> <\/span>Azken<\/span> <\/span>urteetan<\/span> <\/span>nostalgiaren<\/span> <\/span>gaia<\/span> <\/span>modan<\/span> <\/span>dagoen<\/span> <\/span>zerbait<\/span> <\/span>dela<\/span> <\/span>argi<\/span> <\/span>dago<\/span> <\/span>eta<\/span> h<\/span>ori<\/span> <\/span>da<\/span> <\/span>nire<\/span> <\/span>ustez,<\/span> <\/span>film<\/span> <\/span>honen<\/span> <\/span>gakoetako<\/span> <\/span>bat<\/span>,<\/span> jatorrizko <\/span>film<\/span><\/span><\/span> <\/span>horien<\/span> <\/span>keinu<\/span> <\/span>eta<\/span> <\/span>uneak<\/span> <\/span>gogorarazi<\/span> <\/span>dizkigula<\/span>.<\/span><\/span>
\nErritmoa<\/span> <\/span>ere<\/span> <\/span>maisutasunez<\/span> <\/span>maneiatzen<\/span> <\/span>dakien<\/span> <\/span>beste<\/span> <\/span>alor<\/span> <\/span>horietako<\/span> <\/span>bat<\/span> <\/span>izaten<\/span> <\/span>da<\/span> <\/span>eta<\/span> <\/span>kasu<\/span> <\/span>honetan<\/span> <\/span>ez<\/span> <\/span>da<\/span> <\/span>atzean<\/span> <\/span>geratu<\/span>.<\/span> Ederdi daki<\/span><\/span>,<\/span> <\/span>ikuslea<\/span> <\/span>gora<\/span> <\/span>eta<\/span> <\/span>behera<\/span> <\/span>emozionalki<\/span> <\/span>mugitzen<\/span>.<\/span> <\/span>Aurreko<\/span> <\/span>filmetan<\/span> <\/span>gehiegi<\/span> <\/span>nabarmentzen<\/span> <\/span>ez<\/span> <\/span>zen<\/span> <\/span>alderdi<\/span> <\/span>bat<\/span> <\/span>,<\/span> <\/span>interpretazioarena<\/span> <\/span>zen<\/span>.<\/span> <\/span>Hemen<\/span> <\/span>aldiz<\/span>,<\/span>\u00a0<\/span> <\/span>zoragarri<\/span> <\/span>daude<\/span> <\/span>bai<\/span> <\/span>aktoreak<\/span>,<\/span> <\/span>bai<\/span> <\/span>pertsonaiak<\/span>.<\/span> <\/span>Nabarmentzekoak<\/span> <\/span>batez<\/span> <\/span>ere<\/span>,<\/span> <\/span>bi<\/span> <\/span>fitxaketa<\/span><\/span> <\/span>berriak<\/span>: <\/span>Finn<\/span><\/span> <\/span>(<\/span> <\/span>John<\/span><\/span> <\/span>Boyega<\/span><\/span>)<\/span>\u00a0<\/span> <\/span>eta<\/span> <\/span>batez<\/span> <\/span>ere<\/span> <\/span>Finn<\/span><\/span> <\/span>(<\/span> <\/span>Daisy<\/span><\/span> <\/span>Ridley<\/span><\/span> <\/span>eta<\/span>)<\/span> <\/span>,<\/span> <\/span>zoragarria<\/span>.<\/span> <\/span>Hurrengo<\/span> <\/span>filmetan<\/span> <\/span>jarraitzen<\/span> <\/span>badu<\/span>,<\/span> <\/span>ezinbesteko<\/span> <\/span>pertsonaia<\/span> <\/span>bihurtuko<\/span> <\/span>dena<\/span>.<\/span>
\n<\/span>
\nArgi<\/span> <\/span>dago<\/span> <\/span>bestalde<\/span>,<\/span> <\/span>ez<\/span> <\/span>gaudela<\/span> <\/span>urteko<\/span> <\/span>gidoi<\/span> <\/span>onenaren<\/span> <\/span>aurrean<\/span>,<\/span> <\/span>hainbat<\/span> <\/span>uneetan<\/span> <\/span>Deja<\/span><\/span> <\/span>vu<\/span><\/span> <\/span><\/em>sentsazioa<\/span> <\/span>sumatu dudalako<\/span><\/span>,<\/span> <\/span>ia<\/span> <\/span>ia<\/span> <\/span>remake<\/span><\/span> <\/span>moduan<\/span> <\/span>funtzionatuko<\/span> <\/span>balu<\/span> <\/span>bezala<\/span>.<\/span> <\/span>Disney<\/span><\/em> <\/span>ukitu<\/span> <\/span>horiek<\/span> <\/span>ere<\/span> <\/span>nabarmenak<\/span> <\/span>dira<\/span>,<\/span> <\/span>baina<\/span> <\/span>hori<\/span> <\/span>Star<\/span> <\/span>wars-i<\/span><\/span> <\/span>betidanik<\/span> <\/span>itsatsirik<\/span> <\/span>egon<\/span> <\/span>den<\/span> <\/span>zerbait<\/span> <\/span>dela argi izanda<\/span>.<\/span> B<\/span>orroka<\/span> <\/span>eta<\/span> <\/span>iluntasun<\/span> <\/span>horretaz<\/span> <\/span>gain<\/span>,<\/span> <\/span>ongia<\/span> <\/span>eta<\/span> <\/span>gaizkiaren<\/span> <\/span>arteko<\/span> <\/span>joko<\/span> <\/span>hori<\/span> <\/span>alegia<\/span>.<\/span>\u00a0<\/span> <\/span>Espero<\/span> <\/span>ez nuen<\/span><\/span> <\/span>alderdi<\/span> <\/span>ahulena<\/span> <\/span>bestalde<\/span>,<\/span> <\/span>musikarena<\/span> <\/span>iruditu<\/span> <\/span>zait<\/span>.<\/span> <\/span>John<\/span><\/span> <\/span><\/em>williams-<\/em>en<\/span><\/span> <\/span>musika<\/span> <\/span>ikaragarria<\/span> <\/span>da<\/span> <\/span>jakina<\/span><\/span>.<\/span> B<\/span>aina<\/span> <\/span>aurreko<\/span> <\/span>filmetan<\/span> <\/span>entzun<\/span> <\/span>dugunaren<\/span> <\/span>ia<\/span> <\/span>berdina<\/span>.<\/span> <\/span>Michael<\/span><\/span> <\/span><\/em>Giachino<\/em>-renkin<\/span><\/span> <\/span>kolaborazioren<\/span> <\/span>bat<\/span> <\/span>edo<\/span> <\/span>espero<\/span> <\/span>nuen<\/span>.<\/span> <\/span>Zerbait<\/span> <\/span>gehiago<\/span>.<\/span> <\/span>Modu<\/span> <\/span>automatikoan<\/span> <\/span>eginiko<\/span>,<\/span> <\/span>“<\/span>Copy<\/span><\/span>\/<\/span>Paste<\/span><\/span>“<\/span> <\/span>arrunt<\/span> <\/span>bat<\/span> <\/span>egin<\/span> <\/span>izan<\/span> <\/span>balute<\/span> <\/span>bezala iruditu zait<\/span>.<\/span>
\nSaga<\/span> <\/span>berritu<\/span> <\/span>egin<\/span> <\/span>du<\/span> <\/span>azken<\/span> <\/span>finean<\/span>,<\/span> <\/span>baina<\/span> <\/span>ukiezina<\/span> <\/span>diren<\/span> <\/span>gauzak<\/span>,<\/span> <\/span>ukitu<\/span> <\/span>gabe<\/span>.<\/span> <\/span>Nostalgia<\/span> <\/span>birziklatu<\/span> <\/span>du<\/span>,<\/span> <\/span>etorkizuna<\/span> <\/span>ongarritzeko<\/span>.<\/span> <\/span>Mitoaren<\/span> <\/span>distira<\/span> <\/span>hori<\/span> <\/span>berriz<\/span> <\/span>ekarriz<\/span>.<\/span> <\/span>Gozamen<\/span>a.<\/span>
\n<\/span>
\n <\/p>\n

\n

 <\/p>\n

15- Youth – La giovinezza
\n<\/strong><\/h1>\n

\"\"<\/span>\u00a0Italia<\/p>\n

\"42635_ppl\"<\/a>
\nZuzendaria: <\/strong>Paolo Sorrentino
\nAktoreak:<\/strong> Michael Caine, Harvey Keitel, Rachel Weisz, Paul Dano, Jane Fonda
\n118\u00a0 minutu.
\nPaolo<\/span> <\/span>Sorrentino<\/span><\/span> <\/span><\/em>zuzendari<\/span> <\/span>italiarraren<\/span> <\/span>film<\/span> <\/span>berria<\/span>.<\/span> <\/span>La<\/span><\/em> <\/span>grande<\/span><\/span> <\/span>bellezza<\/span><\/span> <\/span><\/em><\/span>film<\/span> <\/span>zoragarritik<\/span> <\/span>maila<\/span> <\/span>bat<\/span> <\/span>beherago<\/span> <\/span>jarriko<\/span> <\/span>nukeena<\/span>.<\/span> <\/span>Horrekin<\/span> <\/span>alderatuz<\/span>,<\/span> <\/span>planteamendu<\/span> <\/span>askoz<\/span> <\/span>ere<\/span> <\/span>sinplistago<\/span> <\/span>bat<\/span> <\/span>eskainiz<\/span>.<\/span> <\/span>Zahartzaroa<\/span> <\/span>eta<\/span> <\/span>gaztaroaren<\/span> <\/span>arteko<\/span> <\/span>jokoan<\/span> <\/span>mugituz<\/span>.<\/span> <\/span>Saihestezina<\/span> <\/span>Fellini<\/em>-ren<\/span><\/span> <\/span>esentzia<\/span> <\/span>hori<\/span> <\/span>sumatzea<\/span>.<\/span> <\/span>Argi<\/span> <\/span>dago<\/span> <\/span>bestalde<\/span>,<\/span> <\/span>Sorrentinok<\/span><\/span> <\/span>gehiegikeria<\/span> <\/span>gustuko<\/span> <\/span>duela<\/span> <\/span>eta<\/span> <\/span>oraingoan<\/span> <\/span>gehiegi<\/span> <\/span>ez<\/span> <\/span>erabiltzeak,<\/span> <\/span>kaltegarria<\/span> <\/span>izan<\/span> <\/span>ote<\/span> <\/span>den<\/span> <\/span>susmoa<\/span> <\/span>daukat<\/span>.<\/span> <\/span>Biribila<\/span> <\/span>ez<\/span> <\/span>izan<\/span> <\/span>arren<\/span>,<\/span> <\/span>ikusi<\/span> <\/span>beharrekoa<\/span>.<\/span>\u00a0<\/span>
\n<\/span>
\n <\/p>\n

\n

14- Truman<\/strong><\/h1>\n

\"\"<\/span>\u00a0Espainia<\/p>\n

\"truman-perro-ricardo-darin-javier-camara\"<\/a><\/p>\n

Zuzendaria: <\/strong>Cesc Gay
\nAktoreak: <\/strong>Ricardo Dar\u00edn, Javier C\u00e1mara, Dolores Fonzi, \u00c0lex Brendem\u00fch
\n108\u00a0 minutu.<\/p>\n

Donostiako<\/span> <\/span>Zinemaldian<\/span> <\/span>ikusi<\/span> <\/span>ahal<\/span> <\/span>izan<\/span> <\/span>genuen<\/span>,<\/span> <\/span>Cesc<\/span><\/span><\/em> <\/span>Gay<\/span> <\/span>zuzendari<\/span> <\/span>kataluniarraren<\/span> <\/span>azken<\/span> <\/span>lan<\/span> <\/span>hau<\/span>.<\/span> <\/span>108<\/span> <\/span>minutuko<\/span> <\/span>‘<\/span>agur<\/span>‘<\/span> <\/span><\/em>bat<\/span> <\/span>bezala<\/span> <\/span>definituko<\/span> <\/span>nuke<\/span>.<\/span> <\/span><\/p>\n

Zarata<\/span> <\/span>gutxi<\/span> <\/span>ateraz,<\/span> <\/span>istorio<\/span> <\/span>umil<\/span> <\/span>eta<\/span> <\/span>eraginkor<\/span> <\/span>batekin<\/span>,<\/span> <\/span>sentimentaltasun<\/span> <\/span>errazean<\/span> <\/span>erori<\/span> <\/span>gabe<\/span>,<\/span> <\/span>film<\/span> <\/span>biribil<\/span> <\/span>bat<\/span> <\/span>sortzea<\/span> <\/span>lortu<\/span> <\/span>du<\/span>.<\/span> <\/span>Istorioaren<\/span> <\/span>euskarri<\/span> <\/span>sendoena<\/span> <\/span>gidoia<\/span> <\/span>eta<\/span> <\/span>noski<\/span>,<\/span>\u00a0<\/span> <\/span>bi<\/span> <\/span>pertsonaia<\/span> <\/span>nagusiak dira<\/span>.<\/span> <\/span>Aurreko<\/span> <\/span>filmetan<\/span>,<\/span> <\/span>Cesc<\/span><\/span> <\/span>Gay-k<\/span><\/span>,<\/span>\u00a0<\/span> soberan <\/span>erakutsi<\/span> <\/span>zuen<\/span> <\/span>elkarrizketak<\/span> <\/span>lantzeko<\/span> <\/span>duen<\/span> <\/span>trebezia<\/span> <\/span>hori<\/span> <\/span>eta<\/span> <\/span>hemen<\/span> <\/span>ere<\/span> <\/span>ez<\/span> <\/span>da<\/span> <\/span>atzean<\/span> <\/span>geratu<\/span>.<\/span> <\/span>Kokalekuetara<\/span> <\/span>zuzenean<\/span> <\/span>errodatzera<\/span> <\/span>joateak<\/span> <\/span>gainera<\/span>,<\/span> <\/span>aberastasunez<\/span> <\/span>bete du filma. Ezinbestekoa.<\/span><\/span><\/p>\n

\n

13- Mia madre<\/strong><\/h1>\n

\"\"<\/span>\u00a0Italia<\/p>\n

\"mia_madre_still_2\"<\/a><\/p>\n

Zuzendaria: <\/strong>Nanni Moretti
\nAktoreak:<\/strong> Margherita Buy, John Turturro, Giulia Lazzarini, Nanni Moretti, Beatrice Mancini
\n102\u00a0 minutu.<\/p>\n

Nanni Moretti zuzendari italiarraren film berria.\u00a0 AEBetako aktore batekin film bat errodatzen ari den, Margherita zinema-zuzendaria da filmaren protagonista. Artista konprometitua den aldetik, bere buruari egiten dizkion galderei, bere bizitza pribatuko ardurak gehitu behar zaizkio: ama, ospitalean; alaba, nerabezaroko krisian eta abar. Guzti horrekin, Amaren<\/em> irudiari buruzko omenaldi txiki bat sortu du Moretti-k. Bikaina.<\/p>\n

\n

 <\/p>\n

12- Ex Machina
\n<\/strong><\/h1>\n

\"\"<\/span>Ingalaterra<\/p>\n

\"ex2\"<\/a><\/p>\n

Zuzendaria: <\/strong>Alex Garland
\nAktoreak: <\/strong>Domhnall Gleeson, Alicia Vikander, Oscar Isaac, Sonoya Mizuno
\n108 minutu.
\nZientzia fikziozko film dramatiko bikaina.\u00a0 Munduko Internet enpresa handiena, aberats bakarti batek gidatzen du, basoan kokaturiko, “etxe-gotorleku teknologiko”<\/em> baten barrutik.\u00a0 “Ex machina”,\u00a0 aro digitaleko Frankenstein<\/em> moduko kontakizun bat izan liteke, klaustrofobikoa, elegantea eta oso interesgarria. “Black Mirror” telesailak planteatzen dituen antzeko galderak sortzen dituena.
\n <\/p>\n

\n

 <\/p>\n

11- Ich seh, Ich seh<\/strong><\/h1>\n

\"\"<\/span>\u00a0Austria<\/p>\n

\"good_night_mommy-ich-seh-ich-seh-fant\"<\/a><\/p>\n

Zuzendaria: <\/strong>Severin Fiala, Veronika Franz
\nAktoreak: <\/strong>Susanne Wuest, Elias Schwarz, Lukas Schwarz
\n99\u00a0 minutu.<\/p>\n

Ezinezkoa<\/span> <\/span>film<\/span> <\/span>hau<\/span> <\/span>ikustean<\/span>,<\/span> <\/span>“<\/span>Michael<\/span><\/span> <\/span>Haneke<\/span><\/span>“<\/span><\/em> <\/span>zuzendari<\/span> <\/span>handia<\/span> <\/span>burura<\/span> <\/span>ez<\/span> <\/span>etortzea<\/span>.<\/span> <\/span>Kontakizuna<\/span> <\/span>garraiatzeko<\/span> <\/span>erabiltzen<\/span> <\/span>dituen<\/span> <\/span>elementu<\/span> <\/span>zinematografiko<\/span> <\/span>zorrotz<\/span> <\/span>eta<\/span> <\/span>landuei<\/span> <\/span>esker<\/span>,<\/span> <\/span>baina<\/span> <\/span>batez<\/span> <\/span>ere<\/span> <\/span>erritmoaren<\/span> <\/span>erabilpenagatik<\/span>.<\/span> <\/span>Bai<\/span>,<\/span> <\/span>ez<\/span> <\/span>dituzuelako<\/span> <\/span>erritmo<\/span> <\/span>biziko<\/span> <\/span>sekuentziarik<\/span> <\/span>ikusiko<\/span>,<\/span> <\/span>baina<\/span> <\/span>bai<\/span> <\/span>tentsioa<\/span>,<\/span> <\/span>urduritasuna<\/span> <\/span>eta<\/span> <\/span>ezinegona<\/span>.<\/span>\u00a0<\/span> <\/span>Beldur<\/span> <\/span>psikologiko<\/span> <\/span>eta<\/span> <\/span>atmosfera<\/span> <\/span>itogarri<\/span> <\/span>hori<\/span>,<\/span> <\/span>urteko<\/span> <\/span>ezinbesteko<\/span> <\/span>lan<\/span> <\/span>batean<\/span> <\/span>bilakatu<\/span> <\/span>dutelako<\/span><\/span>.<\/p>\n

\n

 <\/p>\n

10- Sicario<\/strong><\/h1>\n

\"\"<\/span> AEB<\/p>\n

\"sicario-2\"<\/a><\/p>\n

Zuzendaria: <\/strong>Denis Villeneuve
\nAktoreak:<\/strong>Emily Blunt, Benicio Del Toro, Josh Brolin, Victor Garber, Jon Bernthal, Jeffrey Donovan
\n121\u00a0 minutu.<\/p>\n

Denis Villeneuve kanadarrak, soberan frogatu digu, gaur egun dagoen zuzendari onenetarikoa dela. Prisoners eta Incendies<\/em> maisulanei esker batik bat, baina baita Enemy ala Polytechnique<\/em> bikainekin ere. Bere film berrian, Sicario, narkotrafikoaren munduan kokatzen gaitu. Mexiko eta Estatu batuen artean zabaltzen den mugan horretan hain zuzen ere. Aktoreen artean izen ezagunak, Emily Blunt,\u00a0Benicio Del Toro ala Josh Brolin besteak beste.
\nHasierako 45 minutu ikaragarri eta brutal batzuei esker eserlekura itsatsirik mantentzen gaituen film bikaina. Etxeko hormetan ageri diren hildakoen lehen sekuentzia horrekin ala auto ilara luze horietan, kotxeekin, muga zeharkatu behar duten une horrekin sorturiko tentsioa esaterako, aparta iruditu zait, itogarria, latza. Genero honek, azken urteetan eman duen hasiera biribilenetarikoa zalantzarik gabe. Soinu bandaren arloa ere nabarmentzekoa, une askotan isiluneak berak sortzen duelarik tentsio hori, baina besteetan J\u00f3hann J\u00f3hannsson-en konposizio bikainak, beharrezko erritmo eta tentsioa gehitzen dio.
\nBaliteke, istorio berbera beste ikuspuntu interesgarri batzuetatik maiz ikusi izana. Baina gutxik lortu dute nire ustez, Soderberg-en Traffic <\/em>salbu, <\/em>hain teknika zinematografiko aberatsez zipriztintzea. Sorturiko atmosfera horri esker, lehen begiradan akziozko filma dirudiena, thrillerra, espioitza eta genero belikoaren ukituak dituen film batean bihurtzen doalarik. Ia ezinezkoa, Villeneuve-k kontatzen digun drogaren aurkako kronika gogor horretatik minutu bakar bat ere urrunaraztea. Amaierako zatia izan ezik. Hementxe nire ustez, filmaren alderdi negatiboa. Azken txanpan tentsio hori desagertu egiten dela zertxobait, gogo biziz espero den garapen hori, pixkana galduz. Gidoiak hasieratik eskaini nahi duen ideia horri tinko eutsi beharrean, hainbat azpitramekin galdu egiten dela. Honekin ez dut esan nahi bestalde, amaiera txarra duenik, guztiz alderantziz, baina bai osotasunean, zuzendari Kanadarraren film ahulena izan litekeela. Hori bai, garrantzitsua eta kontuan izan beharrekoa, zuzendari honen film guztiak lehen mailakoak direla. Beraz bikain<\/em> batetik, oso ongi<\/em> batetara jaitsi da, besterik ez.
\n 
\n <\/p>\n

\n

 <\/p>\n

9- Bridge of spies<\/strong><\/h1>\n

\"\"<\/span> AEB<\/p>\n

\"Bridge-of-Spies\"<\/a>
\nZuzendaria: <\/strong>Steven Spielberg
\nAktoreak:<\/strong> Tom Hanks, Mark Rylance, Amy Ryan, Scott Shepherd, Sebastian Koch, Billy Magnussen, Alan Alda
\n135\u00a0 minutu.
\nBitxia, orain urte batzuk, zinema moderno eta berritzailearen ezinbesteko ordezkari kontsideratuak ziren, Spielberg – zuzendaria-<\/em> eta Coen anaiak \u2013gidoilariak-<\/em> . Oraingoan, Hollywood klasikoaren sugarra eta usaina duen film bikain bat ekarri izana. Ikuskizuna eta suspensea modu orekatuan eskaintzen dituen, film elegantea eta sendoa.
\nAntzezleen artean buru, Tom Hanks<\/em>, James Britt<\/em> izeneko benetako pertsonaia batean oinarritua. Seguruetan espezializatua dagoen abokatu bat, bat-batean espia errusiar bati defendatzeko eginkizuna egokitu zaiona. Bestetik Amy Ryan, Scott Shepherd, Sebastian Koch, Billy Magnussen,<\/em> eta Alan Alda<\/em> ezaguna. Baina guztien gainetik batere ezaguna egingo ez zaituzten izen propio bat: Mark Rylance<\/em>. Zoragarri espioi Errusiarraren paperean.. Minutu gutxitan, eta batez ere hasiera zoragarri horretan, keinu, isilune eta begirada perfektuekin pantaila zeharkatzeko ahalmena erakusten digu.
\nHasieran esan bezala, narrazio klasiko bat erabiliaz eta melodrama generoaz itsatsia, kontakizun elegante eta sendo bat egitea lortu du Spierlberg handiak. Nire ustez, nabarmen, bi zatitan banaturikoa. Lehen minutuetan, letra larriz idatzitako zinema ariketa erakustaldi bat eskaintzen digu, irudiek bere kabuz hitz egiten duten horietakoa. Abokatuen filmen zintzelkadekin. Bigarren zatia eta amaiera aldiz, espioitza eta suspensea loratzen dira. Hitchcok-en <\/em>ukituak dituen lan batean bilakatuz.
\nLehen begiradan, Bridge of Spies,<\/em> Spielberg-en<\/em> filmografiaren barruko, erdiko<\/em> ekoizpen horietako bat dirudi, baina nire ustez ez da horrela. Benetako zinema iruditu zaidalako. Zuzendari honen lanak ikusten ditudan bakoitzean, hobea ala kaxkarragoa izan, benetako film bat ikusten ari naizenaren sentsazioa daukat beti. Gutxikeria dirudi bai, baina hau gutxi ikusten ari gara azken urteotan.
\nIkusleari esfortzu gutxi eskatuz, asko eskaintzen duen, maila goreneko entretenimendua. 2015eko ezinbesteko film horietakoa.<\/p>\n

\n

 <\/p>\n

8- Beasts of No Nation
\n<\/strong><\/h1>\n

\"\"<\/span> AEB<\/p>\n

\"d75530d3-13ae-4a52-871a-56acd3315228-2060x1236\"<\/a>
\nZuzendaria: <\/strong> Cary Joji Fukunaga
\nAktoreak:<\/strong> Abraham Attah, Idris Elba, Richard Pepple, Opeyemi Fagbohungbe
\n137\u00a0 minutu.
\nNetflix<\/em> plataforma digitalak ekoiztua eta\u00a0Cary Joji Fukunaga-k<\/em> (True detective) zuzenduriko film bikaina. Uzodinma Iweala<\/em> idazle nigeriarraren liburuan oinarritua, zehaztu gabeko Afrikako herrialde batean lehertzen den gerran, umezurtz geratzen den Agu haurraren istorioa kontatzen diguna. Gogorra, latza, ezinbestekoa. Bi protagonista nagusiak, Abraham Attah eta Idris Elba<\/em> ikaragarri daude, ezin hobeto.<\/p>\n

\n

 <\/p>\n

7- The Lobster<\/strong><\/h1>\n

\"\"<\/span>\u00a0Grezia<\/p>\n

\"9a405fdf7adef3c1b55d7b8bc854a934b4dbd3e5.jpg__0x1500_q85\"<\/a><\/p>\n

Zuzendaria:\u00a0<\/strong>Yorgos Lanthimos
\nAktoreak:\u00a0<\/strong>Colin Farrell, Rachel Weisz, Jessica Barden, Olivia Colman, Ashley Jensen, Ariane Labed, Angeliki Papoulia, John C. Reilly, L\u00e9a Seydoux
\n118\u00a0minutu.
\nGizarte<\/span> <\/span>distopiko<\/span><\/span> <\/span>batean<\/span> <\/span>kokatzen<\/span> <\/span>gaituen<\/span> <\/span>urteko<\/span> <\/span>bitxikeria<\/span> <\/span>zoragarriena<\/span>.<\/span> <\/span>Yorgos<\/span><\/span> <\/span>Lanthimos<\/span><\/span> <\/span><\/em>zuzendari<\/span> <\/span>greziarraren<\/span> <\/span>laugarren<\/span> <\/span>filma<\/span>.<\/span> <\/span>Aurrekoetan<\/span> <\/span>bezala<\/span>,<\/span> <\/span>istorio<\/span> <\/span>erakargarri<\/span> <\/span>eta<\/span> <\/span>original<\/span> <\/span>batean<\/span> <\/span>babesturiko<\/span> <\/span>kontakizun<\/span> <\/span>atipikoa<\/span>.<\/span> <\/span>Umore<\/span> <\/span>tantaz<\/span> <\/span>bustiriko<\/span> <\/span>kontakizun<\/span> <\/span>perbertso<\/span> <\/span>bat<\/span>,<\/span> <\/span>baina<\/span>\u00a0<\/span> <\/span>maitasun<\/span> <\/span>istorio<\/span> <\/span>samur<\/span> <\/span>bat<\/span> era<\/span> <\/span>berean<\/span><\/span>.
\n<\/span>
\nLan<\/span> <\/span>honetan<\/span> <\/span>ere<\/span>,<\/span> <\/span>Lanthimos<\/span><\/span> <\/span>jainkoa<\/span> <\/span>izatera<\/span> <\/span>jolastu<\/span> <\/span>nahi<\/span> <\/span>izan<\/span> <\/span>du<\/span>.<\/span> <\/span>Pertsonaiak<\/span> <\/span>sortu ditu<\/span>,<\/span> <\/span>bizitza<\/span> <\/span>eman<\/span> die <\/span>eta<\/span> <\/span>sufriarazi<\/span> <\/span>egiten<\/span> <\/span>ditu<\/span>.<\/span> <\/span>Sentimenduzko<\/span> <\/span>espetxe<\/span> <\/span>batean<\/span> <\/span>sartuz<\/span> <\/span>eta<\/span><\/span> <\/span>ezaugarri<\/span> <\/span>bilakatu<\/span> <\/span>den<\/span> <\/span>hermetismo<\/span> <\/span>hori<\/span>,<\/span> <\/span>hoztasunez<\/span> <\/span>ustiatuz<\/span>.<\/span> <\/span>Maitasunari<\/span> <\/span>buruzko<\/span> <\/span>ez<\/span> <\/span>ohiko<\/span> <\/span>ikuspegi<\/span> <\/span>bat<\/span> eskainiz <\/span>azken<\/span> <\/span>finean<\/span>.<\/span>
\nBikoteen<\/span> <\/span>arteko<\/span> <\/span>konformismoari<\/span> <\/span>kritika<\/span> <\/span>izan<\/span> <\/span>liteke<\/span>.<\/span> <\/span>Ala<\/span>.<\/span>.<\/span>.<\/span>maitasunari<\/span> <\/span>eskainitako<\/span>,<\/span> <\/span>gorrotoz<\/span> <\/span>beteriko<\/span> <\/span>kantu<\/span> <\/span>bat<\/span>.<\/span> <\/span>Ala<\/span>.<\/span>.<\/span>.<\/span> <\/span>bakardadean<\/span>,<\/span> <\/span>duintasunez<\/span> <\/span>bizitzeko<\/span> <\/span>daukagun<\/span> <\/span>ezintasun<\/span> <\/span>horri<\/span> <\/span>eraso<\/span> <\/span>zuzen<\/span> <\/span>bat<\/span>.<\/span> Bakoitzak atera ditzala bere ondorioak. Hori bai, e<\/span>z<\/span> <\/span>galdu<\/span>.<\/span> <\/span>Gustuko<\/span> <\/span>ala<\/span> <\/span>ez,<\/span> <\/span>axolagabe<\/span> <\/span>utziko<\/span> <\/span>ez<\/span> <\/span>zaituen<\/span> <\/span>filma<\/span> <\/span>delako<\/span>,<\/span> <\/span>eta<\/span> <\/span>hori<\/span> <\/span>eskertzekoa<\/span> <\/span>da<\/span>.<\/span>
\n<\/span>
\n <\/p>\n

\n

 <\/p>\n

6- Inside out<\/strong><\/h1>\n

\"\"<\/span> AEB<\/p>\n

\"inside2\"<\/a>
\nZuzendaria: <\/strong> Pete Docter, Ronnie Del Carmen
\nAnimazioa <\/strong>
\n94 minutu.
\nPixar-en film berria, Toy story 3 eta Up <\/em>filmen ondoren, onena nire ustez.\u00a0 Ideia biribila eta maisutasunez eramandakoa gainera. Hazkuntza oztopoz beteriko bidea da, eta halakoxea da Riley protagonistarena, aitak San Frantziskon lana topatuta bizitza aldatu zaion gaztearena. Gutako gehienoi gertatu bezala, emozioek gidatzen dute Riley: Pozak, Beldurrak, Amorruak, Haserreak eta Atsekabeak. Sentipenak kuartel nagusietan bizi dira, Rileyren gogoaren kontrol-zentroan, eta egunerokotasunari aurre egiten laguntzea dute lan. Zoragarria.<\/p>\n

\n

<\/h1>\n

5- Anomalisa<\/strong><\/h1>\n

\"\"<\/span> AEB<\/p>\n

\"01ANOMALISA2-facebookJumbo\"<\/a>
\nZuzendaria: <\/strong>Charlie Kaufman, Dan Harmon
\nAnimazioa (Stop-motion)<\/strong>
\n90 minutu.
\nCharlie<\/span><\/span> <\/span>Kaufman<\/span><\/span><\/em> <\/span>amerikar<\/span> <\/span>gidoilariaren<\/span> <\/span>film<\/span> <\/span>berria<\/span>.<\/span> <\/span>Dan<\/span> <\/span>Harmon-ekin<\/span><\/span> <\/span>elkarlanean<\/span> <\/span>zuzendurikoa<\/span>.<\/span> <\/span>Nortasuna<\/span>,<\/span> <\/span>bakardadea<\/span> <\/span>eta<\/span> <\/span>beldurrari<\/span> <\/span>buruzko<\/span> <\/span>maisulana<\/span>.<\/span> <\/span>Bai<\/span>,<\/span> <\/span>amaitzen<\/span> <\/span>den<\/span> <\/span>unean<\/span> <\/span>tontokeria<\/span> <\/span>bat<\/span> <\/span>kontatu<\/span> <\/span>digutela<\/span> <\/span>dirudien<\/span> <\/span>arren<\/span>, horixe izan da\u00a0<\/span> <\/span>nire garunean utzi duen arrastoa<\/span>.<\/span> <\/span>Stop<\/span><\/em> <\/span>motion<\/span><\/span><\/em> <\/span>teknika<\/span> <\/span>bitartez<\/span> <\/span>eginiko<\/span> <\/span>lana<\/span>,<\/span> <\/span>hau<\/span> <\/span>da<\/span>,<\/span> <\/span>benetako<\/span> <\/span>panpinak<\/span> <\/span>erabiliaz<\/span>.<\/span> <\/span>Stop<\/span> <\/span>motion-aren<\/span><\/span> <\/span>kontu<\/span> <\/span>hau<\/span>,<\/span> <\/span>ikusle<\/span> <\/span>batzuentzako<\/span> <\/span>traba<\/span> <\/span>izan<\/span> <\/span>daitekeen<\/span> <\/span>arren<\/span>,<\/span> <\/span>bigarren<\/span> <\/span>minututik<\/span> <\/span>aurrera,<\/span> <\/span>erabat<\/span> <\/span>ahazten<\/span> <\/span>den elementu bat dela argi izan<\/span><\/span>.<\/span> <\/span>Beraz<\/span>,<\/span> <\/span>utzi<\/span> <\/span>aurreiritziak<\/span> <\/span>ale<\/span> <\/span>batera<\/span>.<\/span>
\nCrowfounding<\/span><\/span><\/em> <\/span>bidez<\/span> <\/span>abiatu<\/span> <\/span>zen<\/span> <\/span>filma<\/span> <\/span>izan<\/span> <\/span>zen<\/span> eta <\/span>antzerki<\/span> <\/span>obra<\/span> <\/span>batean<\/span> <\/span>oinarriturikoa<\/span>.<\/span> <\/span>Obra<\/span> <\/span>horren<\/span> <\/span>protagonista<\/span> <\/span>Fregoli<\/span><\/span><\/em> <\/span>izeneko<\/span> <\/span>sindrome<\/span> <\/span>baten<\/span> <\/span>menpe<\/span> <\/span>bizi<\/span> <\/span>da<\/span>,<\/span> <\/span>Anomalisa<\/span><\/span> <\/span>filmari<\/span> <\/span>zuzenean<\/span> <\/span>loturikoa<\/span> <\/span>(<\/span>ez<\/span> <\/span>dut<\/span> <\/span>esango<\/span> <\/span>zertan<\/span> <\/span>datzan<\/span> <\/span>sindrome<\/span> <\/span>hau<\/span> <\/span>gidoiaren<\/span> <\/span>alderdi<\/span> <\/span>garrantzitsu<\/span> <\/span>bat<\/span> <\/span>delako<\/span>)<\/span>
\nKritika<\/span> <\/span>bortitz<\/span> <\/span>bat<\/span> <\/span>zabalduaz<\/span>,<\/span> m<\/span>irari<\/span> <\/span>txiki<\/span> <\/span>bat<\/span> <\/span>iruditu<\/span> <\/span>zaidan<\/span> <\/span>filma<\/span>.<\/span> <\/span>Oscar<\/span> <\/span>sarietan<\/span> <\/span>helduentzako<\/span> <\/span>animaziozko<\/span> <\/span>film<\/span> <\/span>onenaren<\/span> <\/span>saria<\/span> <\/span>sortu<\/span> <\/span>beharko<\/span> <\/span>lukete,<\/span> <\/span>Anomalisa<\/span><\/span> <\/span>bezala<\/span> <\/span>lan ausartak<\/span> <\/span>saritzeko<\/span>.<\/span>
\n<\/span>
\n <\/p>\n

\n

 <\/p>\n

4- The Witch<\/strong><\/h1>\n

\"\"<\/span> AEB<\/p>\n

\"Anya-Taylor-Joy-in-The-Witch\"<\/a>
\nZuzendaria: <\/strong>Robert Eggers
\nAktoreak: <\/strong>Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Lucas Dawson
\n87\u00a0 minutu.
\nRobert Eggers<\/em> zuzendariaren lehen filma,\u00a0\u201cThe Witch\u201d<\/em> dela jakiteak, txunditua utzi nau. \u00a0Filma gustuko izan ala ez, hasiberri\u00a0baten\u00a0lanean, hainbesterainoko\u00a0zehaztasun\u00a0eta xehetasun aurkitzeak, edonor utz dezakeelako aho zabalik. \u00a0Sorturiko atmosfera ikaragarri hori euskarri gisa erabili duelako, beldurrak sor ditzakeen berezko erreminta\u00a0horiek ia bakarrik funtzionatzen duten bitartean.\u00a0Sundance<\/em> zinema jaialdian, film honengatik jaso zuen\u00a0zuzendari\u00a0onenaren\u00a0sari hori, oso merezitakoa izan dela frogatuz.
\nIngalaterra, 1630 urtea. Basoaren erdian bizi diren, senar-emazte eta bost seme-alabez osaturiko kolono-kristau\u00a0familia bati buruzko kontakizun iluna. Hori da hasiera batean planteatzen dena. \u00a0Ezjakintasunak eragindako laztura, sineskeria eta erru erlijiosoa bezalako gaiak, tartean sartzen diren bitartean.
\nBaina zer<\/em> kontatu nahi den baino, \u00a0nola<\/em> kontatu den izan liteke film honen gakoa. Zalantzarik gabe, 2015eko generozko film zainduenetarikoaren aurrean gaudelako. Pertsonaia horien aurkezpena,\u00a0garapena eta garai hartako hizkeraren erabilpen harrigarria. Aukeraturiko plano horiekin sorturiko tentsioa, argiztapena, arropa, makillajea eta noski soinuaren arloa.\u00a0Mark Korven<\/em> konposatzailearen soinu banda gutxitan ageri dela dirudi, baina azaltzen den\u00a0bakoitzean, itotzerainoko tentsioa sortzea lortu du.
\nZer<\/em> eta Nola<\/em> horri lotuak -alderdi teknikoa\u00a0eta gaiari alegia-\u00a0<\/em>erreferentzia sahiestezin nabarmenak\u00a0loratzen dira. \u00a0Hasierako zatiaren kontakizunari esker, Grimm <\/em>anaien \u00a0\u201cHansel and Gretel\u201d\u00a0<\/em>datorkit burura adibidez. Minutuak pasa hala, Shyamalan<\/em> ala Haneke-ren<\/em>, \u00a0\u201cThe Village\u201d<\/em>\u00a0\u00a0eta \u201d\u00a0Das weisse Band\u201d<\/em>\u00a0bikainak konkretuki. Ala zergatik ez,\u00a0Kubrick<\/em>-ek \u201cThe Shining\u201d<\/em> filman egin zuen bezala, kasu honetan kontakizun tipikoa baino, iraganetik datorren amesgaizto gisa funtzionatzen duen istorioa dela esan daitekeelako.
\nArgi dago bestalde, ikusleak bitan banatzen dituen\u00a0film horietako baten aurrean gaudela. \u00a0\u201cBeldur\u201d<\/em>\u00a0 etiketa hori, mesede baino, \u00a0kalte egiten diola uste dudalako. Norberaren beldurra hain objetiboa izanik eta lan hau hain pertsonala, batzuentzat ez duelako funtzionatuko. Ez pentsa izualdi ala sopresa une asko aurkituko dituzuenik. Hare gutxiago, erritmo biziko sekuentziarik. Ekoizpen hau ikustera gerturatzeko intentzioa baduzue, ahaztu generoa, film bikain bat ikusiko duzuela pentsatu, besterik gabe. Generozko jaialdietan egoteak (Donostiako Beldurrezko astean egon zen)<\/em> nabarmen egiten dio kalte, beldurrezko astean sortzen den parranda paregabe\u00a0hori, kasu honetan ,pikutara bidali zituelako hainbat une ikaragarri.\u00a0Inongo arazorik gabe, jaialdi \u201corokor\u201d<\/em> batean lehiatu daitekeen lana delako, bikaina, iluna, berezia. Su motelean eginikoa, aipaturiko \u00f1abardura guzti horiek, azken zirrikituraino zainduak daudelako. Beste behin ikusi nahiko nuke gutxienez, galdu nituen zorroztasun guzti horiek harrapatzeko.\u00a087 minutuetan zehar, benetako zinema ikusi dudala sentitu dudalako\u00a0eta hori pozgarria da, \u00a0oso.<\/p>\n

\n

 <\/p>\n

3- Son of Saul<\/strong><\/h1>\n

\"\"<\/span>\u00a0Hungaria<\/p>\n

\"son_of_saul-620x412\"<\/a>
\nZuzendaria: <\/strong>L\u00e1szl\u00f3 Nemes
\nAktoreak: <\/strong>G\u00e9za R\u00f6hrig, Levente Moln\u00e1r, Urs Rechn, S\u00e1ndor Zs\u00f3t\u00e9r
\n107\u00a0 minutu.
\nAuschwitz<\/span><\/span>,<\/span> <\/span>1944.<\/span> <\/span>Saul<\/span> <\/span>Auslander<\/span><\/span> <\/span>kontzentrazio-esparruko<\/span> <\/span>preso<\/span> <\/span>hungariar<\/span> <\/span>bat<\/span> <\/span>da<\/span>,<\/span> <\/span>errausketa-labe<\/span> <\/span>batean<\/span> <\/span>lan<\/span> <\/span>egiten<\/span> <\/span>duena<\/span>.<\/span> <\/span>Bere<\/span> <\/span>herriko<\/span> <\/span>biztanleen<\/span> <\/span>gorpuak<\/span> <\/span>erretzea<\/span> <\/span>du<\/span> <\/span>betebeharra<\/span>.<\/span> <\/span>Halako<\/span> <\/span>batean<\/span>,<\/span> <\/span>ordea<\/span>,<\/span> <\/span>moralak<\/span> <\/span>hala<\/span> <\/span>aginduta<\/span>,<\/span> <\/span>mutil<\/span> <\/span>gazte<\/span> <\/span>baten<\/span> <\/span>gorpua<\/span> <\/span>garretatik<\/span> <\/span>erauzten<\/span> <\/span>saiatuko<\/span> <\/span>da<\/span>.<\/span> <\/span>Bere<\/span> <\/span>semea<\/span> <\/span>delakoan<\/span> <\/span>dago<\/span>,<\/span> <\/span>eta<\/span> <\/span>errabino<\/span> <\/span>bat<\/span> <\/span>bilatu<\/span> <\/span>nahiko<\/span> <\/span>du<\/span>,<\/span> <\/span>duintasunez<\/span> <\/span>lurperatu<\/span> <\/span>ahal<\/span> <\/span>izateko<\/span>.<\/span> <\/span>
\nHorixe<\/span> <\/span>film<\/span> <\/span>hungariar<\/span> <\/span>honen<\/span> abiapuntu edo <\/span>trama<\/span> <\/span>nagusia<\/span>,<\/span> <\/span>hortik<\/span> <\/span>aurrera<\/span>,<\/span> <\/span>ahaztu<\/span> <\/span>holokaustoaz<\/span> <\/span>ikusi<\/span> <\/span>dituzun<\/span> <\/span>filmak<\/span>.<\/span> <\/span>Son<\/span><\/span> <\/span>of<\/span><\/span> <\/span>saul<\/span><\/span> <\/span><\/em>proposamen<\/span> <\/span>oso<\/span> <\/span>desberdin<\/span> <\/span>bat<\/span> <\/span>delako<\/span>.<\/span> <\/span>Maisulan<\/span> <\/span>eztabaidaezin<\/span> <\/span>bat<\/span>.<\/span> <\/span>Erdigarria<\/span>,<\/span> <\/span>indartsua<\/span> <\/span>eta<\/span> <\/span>itogarria<\/span>.<\/span> <\/span>Lehen<\/span> <\/span>pertsonan<\/span>,<\/span> <\/span>historiako<\/span> <\/span>amesgaizto<\/span> <\/span>beldurgarrienetarikora<\/span>,<\/span>\u00a0<\/span> <\/span>arrastaka<\/span> <\/span>eramango<\/span> <\/span>gaituen<\/span> <\/span>kontakizuna<\/span>.<\/span> <\/span>Konbentzionalismo<\/span> <\/span>guztietatik<\/span> <\/span>aldendua<\/span> <\/span>eta<\/span> <\/span>tonu<\/span> <\/span>errealista<\/span> <\/span>batez<\/span> <\/span>inguraturikoa<\/span>. Maisulana.<\/span>
\n<\/span>
\n <\/p>\n

\n

\u00a02- El club<\/strong><\/h1>\n

\"\"<\/span> Txile<\/p>\n

\"elclub2\"<\/a>
\nZuzendaria: <\/strong>Pablo Larra\u00edn
\nAktoreak: <\/strong>Roberto Farias, Antonia Zegers, Alfredo Castro, Alejandro Goic, Alejandro Sieveking
\n98 minutu.
\nDonostiako Zinemaldian ikusi nuen mementotik, burutik ezin kendurik gabe nabil El Club<\/em> filma. Ikaragarria, gogorra, gorputzaren barreneraino sartzen den film horietakoa bat baita. Eta zer kontatzen du hain bortitza izateko? Kostako herri txiki bateko etxe isolatu batean bizi diren lau gizon eta emakume baten egunerokoa. Iraganeko bekatu nazkagarri batzuk garbitzeko bidali dituzte hara. Hortik aurrera, Sergio Armstron argazki zuzendariaren laguntzarekin, atmosfera zapaltzaile hori zeharkatu beharko dugu. Bekatu horiek deskubritu eta behe-laino lodi horrek traba egiten digun bitartean, etika erlijiosoaren estolderiari buruzko kontakizun latz bat bizi. Kontzientziari, elizari eta zinema berari ukabilkada basatia bihurtuz.
\nHori gutxi balitz, erruduntasuna sentituko dugu. Bai,\u00a0 Larrain-ek umore beltz ukitu txiki batzuk sartzea erabaki duelako. Gaia beldurgarria dela antzeman daiteke, eta une jakin batzuetan barre txiki bat azaltzea, oso mingarria. Irri horiek, bihotza mozten duten metalezko xafla zorrotzak balira bezala. Baina beldurgarriena, ez da pantaila aurrean erakusten duena, erakusten ez duena baizik.Michael Haneke<\/em>k maisutasunez maneiatzen dituen antzeko elementuak erabiliaz, garuna birrintzerainoko jolas makabroa sortuz. Oso psikologikoa. Oso krudela. Sinetsi, mina pantaila zeharkatzen sentitu dudala esaten dudanean.
\nZalantzarik gabe, 2015eko film onenetarikoa. Pablo Larrain merezimendu osoz, artista paregabe eta berdingabean bilakatzen dutena, mundu mailako zuzendari onenen pare lehiatzeko modukoa.<\/p>\n

\n

 <\/p>\n

1- Mad max: Fury Road \u00a0<\/em>
\n<\/strong><\/h1>\n

\"\"<\/span>\u00a0Australia<\/p>\n

\"mad_max_1\"<\/a>
\nZuzendaria: <\/strong>George Miller
\nAktoreak: <\/strong>Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne.
\n120 minutu.<\/strong>
\nEzin<\/span><\/em> <\/span>al<\/span> <\/span>da<\/span> <\/span>Mad<\/span><\/span> <\/span>max<\/span> <\/span>bezalako<\/span> <\/span>film<\/span> <\/span>bat<\/span> <\/span>urteko<\/span> <\/span>onena<\/span> <\/span>izan<\/span>?<\/span> Zergatik ez? <\/span>Akziozko<\/span> <\/span>blockbuster<\/span><\/span> <\/span>bat<\/span> <\/span>delako<\/span>?<\/span>\u00a0<\/span> <\/span><\/em>Niretzat<\/span> <\/span>behintzat<\/span>\u00a0<\/span><\/span>(<\/span> <\/span>eta<\/span> <\/span>I\u00f1arritu<\/span> <\/span>eta<\/span> <\/span>Tarantinoren<\/span><\/span> <\/span>film<\/span> <\/span>berriak<\/span> <\/span>ikusi<\/span> <\/span>gabe<\/span> <\/span>ditudala<\/span> <\/span>kontuan<\/span> <\/span>izanik<\/span>)<\/span> <\/span><\/em>urteko<\/span> <\/span>film<\/span> <\/span>onena<\/span> <\/span>da<\/span>.<\/span> <\/span>Urteko<\/span> <\/span>120<\/span> <\/span>minutu<\/span> <\/span>zirraragarri<\/span>,<\/span> <\/span>ero<\/span>,<\/span> <\/span>basati<\/span>,<\/span> <\/span>brutal<\/span><\/span>,<\/span> <\/span>entretenigarri<\/span> <\/span>eta<\/span> <\/span>harrigarrienak<\/span>.<\/span> <\/span>Kalitatezko<\/span> <\/span>akziozko<\/span> <\/span>generoaren<\/span> <\/span>aldarrikapen<\/span> <\/span>bikain<\/span> <\/span>bat<\/span>.<\/span>
\nAsteko<\/span>,<\/span> <\/span>George<\/span><\/span> <\/span>Miller-ek<\/span><\/span>,<\/span> <\/span>biolentziaz<\/span><\/span> <\/span>eta<\/span> <\/span>suntsiketaz<\/span> <\/span>josiriko<\/span> <\/span>film<\/span> <\/span>poetiko<\/span> <\/span>bat<\/span> <\/span>sortu<\/span> <\/span>duelako<\/span>.<\/span> <\/span>Artelan<\/span> <\/span>bat<\/span> <\/span>iruditu<\/span> <\/span>zaidan<\/span> <\/span>muntaia<\/span> <\/span>batez<\/span> <\/span>lagundua<\/span>,<\/span>\u00a0<\/span> <\/span>ia<\/span> <\/span>elkarrizketarik<\/span> <\/span>gabekoa<\/span> <\/span>eta<\/span> <\/span>lehen<\/span> <\/span>begiradan<\/span> <\/span>dirudiena<\/span> <\/span>baino<\/span>,<\/span> <\/span>istorio<\/span> <\/span>heldu<\/span> <\/span>eta<\/span> <\/span>konplexu<\/span> <\/span>bat<\/span> <\/span>kontatzeko<\/span>.<\/span>\u00a0<\/span> <\/span>Gidoia<\/span>,<\/span> <\/span>bi<\/span> <\/span>hitzetan<\/span> <\/span>laburbildu<\/span> <\/span>daitekeen<\/span> <\/span>arren<\/span>,<\/span>\u00a0<\/span> <\/span>Miller-ek<\/span><\/span> <\/span>narratzaile<\/span> <\/span>gisa<\/span> <\/span>erakutsi<\/span> <\/span>duen<\/span> <\/span>abilezia<\/span> <\/span>ikaragarria<\/span> <\/span>iruditu<\/span> <\/span>zaidalako.<\/span><\/span>
\nHori<\/span> <\/span>bai<\/span>,<\/span> <\/span>ez<\/span> <\/span>dezagun<\/span> <\/span>geure<\/span> <\/span>burua<\/span> <\/span>engainatu<\/span>,<\/span> <\/span>Mad<\/span><\/span> <\/span>max<\/span>,<\/span> <\/span>pertsekuzioz<\/span> <\/span>beteriko<\/span> <\/span>akziozko<\/span> <\/span>film<\/span> <\/span>bat<\/span> <\/span>besterik<\/span> <\/span>ez<\/span> <\/span>da<\/span>.<\/span> <\/span>Modu<\/span> <\/span>perfektuz<\/span> <\/span>filmaturiko<\/span> <\/span>akzio<\/span> <\/span>ero<\/span>,<\/span> <\/span>ikaragarri<\/span> <\/span>eta<\/span> <\/span>brutala<\/span><\/span>,<\/span> <\/span>hori<\/span> <\/span>bat<\/span>.<\/span> <\/span>Zinema<\/span> <\/span>maite<\/span> <\/span>dugunoi<\/span> <\/span>eta<\/span> <\/span>astero-astero<\/span> <\/span>aretoetara<\/span> <\/span>harritu<\/span> <\/span>gaitzaten<\/span>\u00a0<\/span> <\/span>joaten<\/span> <\/span>garenoi<\/span>,<\/span> <\/span>zainetan<\/span> <\/span>gasolina<\/span> <\/span>txute<\/span> <\/span>bat<\/span> <\/span>sartzea<\/span> <\/span>bezalakoa<\/span>.<\/span>\u00a0<\/span> <\/span>Nork<\/span> <\/span>esan<\/span> <\/span>zuen<\/span> <\/span>akziozko<\/span> <\/span>filmak<\/span> <\/span>ezin<\/span> <\/span>direla<\/span> <\/span>maisulanak<\/span> <\/span>izan<\/span>?<\/span> <\/span>Miller<\/span><\/span> <\/span>eta<\/span> <\/span>bere<\/span> <\/span>lantaldeak<\/span>,<\/span> <\/span>kamera<\/span> <\/span>bat<\/span> <\/span>erabiliaz<\/span>,<\/span> <\/span>odolez<\/span>,<\/span> <\/span>kez<\/span>,<\/span> <\/span>izerdiz<\/span> <\/span>eta<\/span> <\/span>gasolinaz<\/span> <\/span>zipriztinduriko<\/span> <\/span>koadro<\/span> <\/span>bat<\/span> <\/span>margotu<\/span> <\/span>dute<\/span>.<\/span> <\/span>Erokeria<\/span> <\/span>zoragarri<\/span> <\/span>bat<\/span>.<\/span> <\/span>What<\/span><\/span> <\/span>A<\/span> <\/span>Lovely<\/span><\/span> <\/span>Day<\/span><\/span>.<\/span>
\n<\/span><\/em><\/p>\n

\n

 
\n 
\n <\/p>\n","protected":false},"excerpt":{"rendered":"

Originaltasun handia erakutsiz, urteko onena batzen duten zerrendekin jarraituko dut. Orain egun batzuk, nire ustez, 2015eko telesail onenak zeintzuk ziren aipatu nituen. Gaurkoan,\u00a0\u00a0pantaila txikitik handira salto eginez, aurtengo ezinbesteko filmen zerrenda osatzeko beharra sentitu dut. Egia esan, telesailen zerrenda baino, dezente gehiago kosta zait hau osatzea, ikaragarri gustatu zaizkidan multzo bat zegoelako, baina ez ordea […]<\/p>\n","protected":false},"author":54,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,18],"tags":[97,196,248,308,321,461,537,579,725,757,893,894,946,988,1090,1099,1206,1225,1242,1390,1397,1453,1491,1617],"class_list":["post-7547","post","type-post","status-publish","format-standard","hentry","category-gomendioak","category-pelikulak","tag-2015eko-film-onenak","tag-anomalisa","tag-beasts-of-no-nation","tag-bone-tomahawk","tag-bridge-of-spies","tag-el-club","tag-ex-machina","tag-filmak-gaizka-izagirre","tag-ich-seh","tag-inside-out","tag-mad-max","tag-mad-max-gaizka-izagirre","tag-mia-madre","tag-mustang","tag-paulina","tag-pelikula-onenak","tag-sicario","tag-son-of-saul","tag-star-wars-episode-viithe-force-awakens","tag-the-lobster","tag-the-martian","tag-the-witch","tag-truman","tag-youth-la-giovinezza"],"yoast_head":"\n2015eko film onenak - Ikusi makusi, zer ikusi?<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogak.argia.eus\/gaizka-izagirre\/2015\/12\/30\/2015eko-film-onenak\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2015eko film onenak - Ikusi makusi, zer ikusi?\" \/>\n<meta property=\"og:description\" content=\"Originaltasun handia erakutsiz, urteko onena batzen duten zerrendekin jarraituko dut. Orain egun batzuk, nire ustez, 2015eko telesail onenak zeintzuk ziren aipatu nituen. Gaurkoan,\u00a0\u00a0pantaila txikitik handira salto eginez, aurtengo ezinbesteko filmen zerrenda osatzeko beharra sentitu dut. Egia esan, telesailen zerrenda baino, dezente gehiago kosta zait hau osatzea, ikaragarri gustatu zaizkidan multzo bat zegoelako, baina ez ordea […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/blogak.argia.eus\/gaizka-izagirre\/2015\/12\/30\/2015eko-film-onenak\/\" \/>\n<meta property=\"og:site_name\" content=\"Ikusi makusi, zer ikusi?\" \/>\n<meta property=\"article:published_time\" content=\"2015-12-30T07:11:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/blogak.argia.eus\/gaizka-izagirre\/wp-content\/uploads\/sites\/54\/2015\/12\/Sin-t\u00edtulo-21.jpg\" \/>\n<meta name=\"author\" content=\"gaizkaizagirre\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"gaizkaizagirre\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"17 minutua\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/blogak.argia.eus\/gaizka-izagirre\/2015\/12\/30\/2015eko-film-onenak\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/blogak.argia.eus\/gaizka-izagirre\/2015\/12\/30\/2015eko-film-onenak\/\"},\"author\":{\"name\":\"gaizkaizagirre\",\"@id\":\"https:\/\/blogak.argia.eus\/gaizka-izagirre\/#\/schema\/person\/3dab620d3b6d850c9dfe5c00e4bfcac8\"},\"headline\":\"2015eko film onenak\",\"datePublished\":\"2015-12-30T07:11:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/blogak.argia.eus\/gaizka-izagirre\/2015\/12\/30\/2015eko-film-onenak\/\"},\"wordCount\":3316,\"commentCount\":1,\"image\":{\"@id\":\"https:\/\/blogak.argia.eus\/gaizka-izagirre\/2015\/12\/30\/2015eko-film-onenak\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/www.filmaffinity.com\/imgs\/countries\/US.jpg\",\"keywords\":[\"2015eko film onenak\",\"Anomalisa\",\"Beasts of No Nation\",\"Bone Tomahawk\",\"Bridge of spies\",\"El club\",\"Ex Machina\",\"filmak gaizka izagirre\",\"Ich seh\",\"Inside out\",\"Mad Max\",\"mad max gaizka izagirre\",\"Mia madre\",\"Mustang\",\"Paulina\",\"pelikula onenak\",\"Sicario\",\"Son of Saul\",\"Star Wars. 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