{"id":7985,"date":"2016-02-25T08:37:27","date_gmt":"2016-02-25T07:37:27","guid":{"rendered":"http:\/\/www.argia.eus\/blogak\/gaizka-izagirre\/?p=7985"},"modified":"2016-02-25T08:37:27","modified_gmt":"2016-02-25T07:37:27","slug":"oscar-sariak-2016-apustuak-martxan","status":"publish","type":"post","link":"https:\/\/blogak.argia.eus\/gaizka-izagirre\/2016\/02\/25\/oscar-sariak-2016-apustuak-martxan\/","title":{"rendered":"Oscar sariak 2016: apustuak martxan!"},"content":{"rendered":"

 
\n\"Sin<\/a>
\nIritsi da urteroko \u201cgaupasa-zinezale-friki-sakratua\u201d<\/em> egiteko momentua. Kafea, fruitu lehorrak eta mota guztietako litxarreriak alboan ditugula, geroz eta astunagoa izaten den Oscar sarien gala ikusteko ordua iritsi da – bai, ohitura bilakatu da niretzat sari hauek urtero ikustea, baina aitortu beharra dago, jasanezina izaten dela askotan, eta batez ere interes eta faltsukeriaz beterikoa-<\/em> . Igandean banatuko dira 2016ko Oscar sariak eta aurkezlea Chris Rock izango da. Urtero sortzen diren polemika guztiak alde batera utziz, –arrazakeriarena adibidez-<\/a>\u00a0 <\/em>Aurten ere, urteroko kinielatxoa bete dut:
\n\"oscars-best-film-8_3549431k\"<\/a><\/p>\n

Nork irabaziko du? \u2026Nork irabazi beharko luke? <\/strong><\/h3>\n

(erantsi zuen apustuak beheko iruzkinean)<\/em><\/p>\n


\n <\/p>\n

\n

Filmik onena<\/strong><\/span><\/h2>\n

\"Sin<\/a>\n<\/div>\n

‘The Big Short’
\n‘Bridge of Spies’
\n‘Brooklyn’
\n‘Mad Max: Fury Road’
\n‘The Martian’
\n‘The Revenant’
\n‘Room’
\n‘Spotlight’<\/p>\n

Nork irabaziko du?<\/strong>
\n‘The Revenant’, ‘Mad Max’<\/em> eta ‘Spotlight<\/em>‘-en artean dago lehia. Baina ‘The Revenant”<\/strong> filmak irabaziko du. Naiz eta film hobea izan zitekeela uste dudan\u00a0-Beno, gainerako filmak bezala ezta?<\/em>– Dena den, I\u00f1arritu mundu mailako zuzendari gorenen artean tartetxo bat bilatzen ari dela uste dut. Lubezki-ren argazkiarekin batera, tandem polit bat sortuz. Argi dago, zineman, garrantzitsuena, gauzak\u00a0 \u201cnola\u201d kontatzen ditugun dela, forma alegia. Eta hori, ezin hobeto menderatzen dituela frogatu du. \u00a0Baina \u201cBirdman\u201d filmarekin gertatu bezala, teknika eta gidoiaren artean, oreka bat bilatu behar duela uste dut.
\nNork irabazi beharko luke?<\/strong>
\nEzin<\/span><\/em> <\/span>al<\/span> <\/span>da<\/span> <\/span>Mad<\/span><\/span> <\/span>max<\/span><\/strong> <\/span>bezalako<\/span> <\/span>film<\/span> <\/span>bat<\/span> <\/span>urteko<\/span> <\/span>onena<\/span> <\/span>izan<\/span>?<\/span> Zergatik ez? <\/span>Akziozko<\/span> <\/span>blockbuster<\/span><\/span> <\/span>baten aurrean gau<\/span><\/span>delako<\/span>?<\/span>\u00a0<\/span> <\/span><\/em>Niretzat<\/span> <\/span>behintzat<\/span> <\/span>2015eko\u00a0<\/span> <\/span>film<\/span> <\/span>onena<\/span> <\/span>da<\/span>.<\/span> <\/span>Urteko<\/span> <\/span>120<\/span> <\/span>minutu<\/span> <\/span>zirraragarri<\/span>,<\/span> <\/span>ero<\/span>,<\/span> <\/span>basati<\/span>,<\/span> <\/span>brutal<\/span><\/span>,<\/span> <\/span>entretenigarri<\/span> <\/span>eta\u00a0<\/span><\/span>harrigarrienak<\/span>.<\/span> <\/span>Kalitatezko<\/span> <\/span>akziozko<\/span> <\/span>generoaren<\/span> <\/span>aldarrikapen<\/span> <\/span>bikain<\/span> <\/span>bat<\/span>.\u00a0George<\/span><\/span> <\/span>Miller-ek<\/span><\/span>,<\/span> <\/span>biolentziaz<\/span><\/span> <\/span>eta<\/span> <\/span>suntsiketaz<\/span> <\/span>josiriko<\/span> <\/span>film<\/span> <\/span>poetiko<\/span> <\/span>bat<\/span> <\/span>sortu<\/span> <\/span>duelako<\/span>.<\/span> <\/span>Artelan <\/span><\/span>bat<\/span> <\/span>iruditu<\/span> <\/span>zaidan<\/span> <\/span>muntaia<\/span> <\/span>batez<\/span> <\/span>lagundua<\/span>,<\/span>\u00a0<\/span> <\/span>ia<\/span> <\/span>elkarrizketarik<\/span> <\/span>gabekoa<\/span> <\/span>eta<\/span> <\/span>lehen<\/span> <\/span>begiradan<\/span> <\/span>dirudiena <\/span><\/span>baino<\/span>,<\/span> <\/span>istorio<\/span> <\/span>heldu<\/span> <\/span>eta<\/span> <\/span>konplexu<\/span> <\/span>bat<\/span> <\/span>kontatzeko<\/span>.<\/span>\u00a0<\/span> <\/span>Gidoia<\/span>,<\/span> <\/span>bi<\/span> <\/span>hitzetan<\/span> <\/span>laburbildu<\/span> <\/span>daitekeen<\/span> <\/span>arren<\/span>,<\/span>\u00a0<\/span><\/span>Miller-ek<\/span><\/span> <\/span>narratzaile<\/span> <\/span>gisa<\/span> <\/span>erakutsi<\/span> <\/span>duen<\/span> <\/span>abilezia<\/span> <\/span>ikaragarria<\/span> <\/span>iruditu<\/span> <\/span>zaidalako. Nork<\/span> <\/span>esan<\/span> <\/span>zuen<\/span> <\/span>akziozko<\/span> <\/span>filmak<\/span> <\/span>ezin<\/span> <\/span>direla<\/span> <\/span>maisulanak<\/span> <\/span>izan<\/span>?<\/span> <\/span>Miller<\/span><\/span> <\/span>eta<\/span> <\/span>bere <\/span><\/span>lantaldeak<\/span>,<\/span> <\/span>kamera<\/span> <\/span>bat<\/span> <\/span>erabiliaz<\/span>,<\/span> <\/span>odolez<\/span>,<\/span> <\/span>kez<\/span>,<\/span> <\/span>izerdiz<\/span> <\/span>eta<\/span> <\/span>gasolinaz<\/span> <\/span>zipriztinduriko<\/span> <\/span>koadro<\/span> <\/span>bat <\/span><\/span>margotu<\/span> <\/span>dute<\/span>.<\/span> <\/span>Erokeria<\/span> <\/span>zoragarri<\/span> <\/span>bat<\/span>.<\/span> <\/span><\/span><\/span>
\n <\/p>\n

\n <\/p>\n
\n

 <\/p>\n

Zuzendaririk onena<\/strong><\/span><\/h2>\n

\"oscars-directors-8_3549465k\"<\/a>\n<\/div>\n

 <\/p>\n

Adam McKay, ‘The Big Short’
\nGeorge Miller, ‘Mad Max: Fury Road’
\nAlejandro G. Inarritu, ‘The Revenant’
\nLenny Abrahamson, ‘Room’
\nTom McCarthy, ‘Spotlight’<\/p>\n

Nork irabaziko du?<\/strong>
\nEz dut uste\u00a0Alejandro G. Inarritu-k<\/em> bigarren urtez jarraian irabaziko duenik. Nik uste\u00a0George Miller<\/strong> zuzendariak eramango duela.
\nNork irabazi beharko luke?<\/strong>
\nEgia esan lehia nahiko paretsu ageri da. Baina\u00a0Alejandro G. Inarritu-k<\/strong> irabazi beharko luke.
\n <\/p>\n

\n

 
\n <\/p>\n

<\/div>\n
\n

Emakumezko aktorerik onena<\/strong><\/span><\/h2>\n

\"oscars-actress-858_3549417k\"<\/a>\n<\/div>\n

Cate Blanchett, ‘Carol’
\nBrie Larson, ‘Room’
\nJennifer Lawrence, ‘Joy’
\nCharlotte Rampling, ’45 Years’
\nSaoirse Ronan, ‘Brooklyn’<\/p>\n

Nork irabaziko du?<\/strong>
\nUrteko sari GUZTIAK irabazi ditu,\u00a0 ezusteko ikaragarria izango litzateke beraz,\u00a0 Brie Larson-<\/strong>ek irabaziko ez balu.
\nNork irabazi beharko luke?<\/strong>
\nCharlotte Rampling<\/strong>-ek,, ’45 Years’ filmean egiten duen lana ikaragarria iruditu zait. \u00a0Interpretazio oso sotil batez lagundua, keinu txikiz, begiradez eta isiluneez osaturikoa, zoragarri. Brie Larson ere bikain.
\n <\/p>\n

\n

 <\/p>\n

\n

Gizonezko aktorerik onena<\/strong><\/span><\/h2>\n

\"Actors_Oscars_3549409k\"<\/a>\n<\/div>\n

 <\/p>\n

Bryan Cranston, ‘Trumbo’
\nMatt Damon, ‘The Martian’
\nLeonardo DiCaprio, ‘The Revenant’
\nMichael Fassbender, ‘Steve Jobs’
\nEddie Redmayne, ‘The Danish Girl’<\/p>\n

Nork irabaziko du?<\/strong>
\nLeonardo DiCaprio.<\/strong> Aurten bai, ziur.( Ez eman saririk Eddie Redmayne aktoreari mesedez!)<\/em>
\nNork irabazi beharko luke?<\/strong>
\nLeonardo DiCaprio<\/strong> zoragarri ageri da\u00a0‘The Revenant’ filmean. Kasu honetan, filmaren ardatz eta motorra, interpretazio ikaragarri batekin (nahiz eta \u201cThe Wolf of Wall Street\u201d filmean ikusgarriagoa dagoela pentsatzen dudan)<\/p>\n

\n

 <\/p>\n

\n

Taldeko emakumezko aktorerik onena<\/strong><\/span><\/h2>\n

\"supporting_acresse_3549419k\"<\/a><\/p>\n

Jennifer Jason Leigh, ‘The Hateful Eight’
\nRooney Mara, ‘Carol’
\nRachel McAdams, ‘Spotlight’
\nAlicia Vikander, ‘The Danish Girl’
\nKate Winslet, ‘Steve Jobs’<\/p>\n

Nork irabaziko du?<\/strong>
\nKate Winslet.<\/strong> Baina merezigabea nire ustez. Bost izendatuetik kaxkarrena iruditzen zaidan interpretazioa burutzen duelako. Bestela Rooney Mara.<\/strong>
\nNork irabazi beharko luke?<\/strong>
\nJennifer Jason Leigh.<\/strong> Zoragarri Tarantino-ren film basati eta zoragarrian. Zergatik ez dago, “Emakumezko aktorerik onenaren” sailean izendatua? Norbaitek ulertzen al du?<\/p>\n

\n

 <\/p>\n

Taldeko gizonezko aktorerik onena<\/strong><\/span><\/h2>\n

\"SUPPORTING_ACTORS__3549429k\"<\/a>\n<\/div>\n

 <\/p>\n

Christian Bale, ‘The Big Short
\nTom Hardy, ‘The Revenant’
\nMark Ruffalo, ‘Spotlight’
\nMark Rylance, ‘Bridge of Spies’
\nSylvester Stallone, ‘Creed’<\/p>\n

Nork irabaziko du?<\/strong>
\nSylvester Stallone.<\/strong>
\nNork irabazi beharko luke?<\/strong>
\nTom Hardy<\/strong> IKARAGARRI,\u00a0‘The Revenant’ filmean.\u00a0Beste ikuspegi batetik , baina neurri batean, superbibentzia bidaia bat burutzen duen beste pertsonaia. Hau ere, beti bezala, interpretazioaren munstro bat dela frogatuz. Bere belaunaldiko aktorerik onena. Mark Rylance<\/strong> ere asko gustatu zitzaidan.\u00a0 Ezin hobeto espioi Errusiarraren paperean. Minutu gutxitan, eta batez ere hasiera zoragarri horretan, keinu, isilune eta begirada perfektuekin pantaila zeharkatzeko ahalmena erakusten digu.<\/p>\n

\n

 <\/p>\n

\n

Ingelesez besteko filmik onena<\/strong><\/span><\/h2>\n

\"foriegn\"<\/a>\n<\/div>\n

‘Embrace of the Serpent’ (Colombia)
\n‘Mustang’ (France)
\n‘Son of Saul’ (Hungary)
\n‘Theeb’ (Jordan)
\n‘A War’ (Denmark) –<\/p>\n

Nork irabaziko du?<\/strong>
\n‘Son of Saul’<\/strong> ziur.
\nNork irabazi beharko luke?<\/strong>
\nZergatik ez dago izendatua “El Club” filma? (lotsagarria).<\/em> Baina tira, ‘Son of Saul’ da<\/strong> bost izendatuetatik onena, nabarmen gainera. Proposamen<\/span> <\/span>oso<\/span> <\/span>desberdin<\/span> <\/span>bat, m<\/span><\/span><\/span><\/span>aisulan<\/span> <\/span>eztabaidaezin<\/span>a<\/span><\/span>.<\/span> <\/span>Erdigarria<\/span>,<\/span> <\/span>indartsua<\/span> <\/span>eta<\/span> <\/span>itogarria<\/span>.<\/span> <\/span>Lehen<\/span> <\/span>pertsonan<\/span>,<\/span> <\/span>historiako<\/span> <\/span>amesgaizto<\/span> <\/span>beldurgarrienetarikora<\/span>,<\/span>\u00a0<\/span> <\/span>arrastaka<\/span> <\/span>eramango<\/span> <\/span>gaituen<\/span> <\/span>kontakizuna<\/span>.<\/span> <\/span>Konbentzionalismo<\/span> <\/span>guztietatik<\/span> <\/span>aldendua<\/span> <\/span>eta<\/span> <\/span>tonu<\/span> <\/span>errealista<\/span> <\/span>batez<\/span> <\/span>inguraturikoa<\/span>. Maisulana.<\/span>
\n<\/span><\/p>\n

\n

 <\/p>\n

\n

Jatorrizko gidoirik onena<\/strong><\/span><\/h2>\n

\"oscars-screenplay-_3549483k\"<\/a><\/p>\n

‘Bridge of Spies’
\n‘Ex Machina’
\n‘Inside Out’
\n‘Spotlight’
\n‘Straight Outta Compton’<\/p>\n

Nork irabaziko du?<\/strong>
\n‘Spotlight’<\/strong>
\nNork irabazi beharko luke?<\/strong>
\nNon da “The Hateful eight” filmaren gidoia? <\/em>Daudenen artean,\u00a0‘Inside Out’ ala ‘Spotlight’.
\n<\/strong><\/p>\n

\n

 <\/p>\n

Egokituriko gidoirik onena<\/strong><\/span><\/h2>\n

\"best-adapted-screenplay-oscar-nominees\"<\/a><\/p>\n

‘The Big Short’
\n‘Brooklyn’
\n‘Carol’
\n‘The Martian’
\n‘Room’<\/p>\n

Nork irabaziko du?<\/strong>
\n‘The Big Short’.<\/strong>
\nNork irabazi beharko luke?<\/strong>
\n‘Room’. <\/strong>Sari gutxi eramango dituenez, hau behintzat irabazi beharko luke. Argi<\/span> <\/span>eta<\/span> <\/span>garbi<\/span> <\/span>bi<\/span> <\/span>zatitan<\/span> <\/span>banatzen<\/span> <\/span>den<\/span> <\/span>istorioa<\/span>.<\/span> <\/span>Lehen<\/span> <\/span>ordua<\/span>,<\/span> <\/span>latza<\/span>,<\/span> <\/span>gogorra<\/span>,<\/span> <\/span>maisutasunez<\/span> <\/span>errodaturikoa<\/span>,<\/span> <\/span>klaustrofobia<\/span> <\/span>ariketa<\/span> <\/span>zinematografiko<\/span> <\/span>bat<\/span>.<\/span> <\/span>Azken<\/span> <\/span>urteetan<\/span> <\/span>ikusi<\/span> <\/span>dudan<\/span> <\/span>lehen<\/span> <\/span>zati<\/span> <\/span>harrigarrienetarikoa<\/span> <\/span>zalantzarik<\/span> <\/span>gabe.<\/span><\/span>
\n<\/strong><\/p>\n

\n

 <\/p>\n

Argazki zuzendaririk onena<\/strong><\/span><\/h2>\n

\"Best_Cinematograph_3549458k\"<\/a>\n<\/div>\n

‘Carol’
\n‘The Hateful Eight’
\n‘Mad Max: Fury Road’
\n‘The Revenant’
\n‘Sicario’<\/p>\n

Nork irabaziko du?<\/strong>
\n‘The Revenant’.<\/strong>
\nNork irabazi beharko luke?<\/strong>
\nUf!<\/em> Bos izendatu ikaragarri, aukeraketa zaila. ‘Mad Max’, ‘The Revenant’ ala ‘The Hateful Eight’,<\/strong> edozein.
\n<\/strong><\/p>\n

\n

 <\/p>\n

\n

Dokumentalik onena<\/strong><\/span><\/h2>\n

\"documentary\"<\/a><\/p>\n

‘Amy’
\n‘Cartel Land’
\n‘The Look of Silence’
\n‘What Happened, Miss Simone?’
\n‘Winter on Fire: Ukraine’s<\/p>\n

Nork irabaziko du?<\/strong>
\n‘Winter on Fire: Ukraine’s<\/strong>
\nNork irabazi beharko luke?<\/strong>
\n‘Amy’<\/strong> ala ‘The Look of Silence’.<\/strong><\/p>\n

\n

 <\/p>\n

Animazioko filmik onena<\/strong><\/span><\/h2>\n

\"Best_Animated_Feat_3549481k\"<\/a>\n<\/div>\n

‘Anomalisa’
\n‘Boy and the World’
\n‘Inside Out’
\n‘Shaun the Sheep Movie’
\n‘When Marnie Was There’<\/p>\n

Nork irabaziko du?<\/strong>
\nZerrenda osotik asmatzeko errazena, hemen bai ez dagoela inongo zalatzarik: ‘Inside Out’<\/strong>
\nNork irabazi beharko luke?<\/strong>
\n‘Inside Out’ zoragarria da bai, baina lehen aldia izan liteke, PIXAR-i itzala egiten dion film bat azaltzen dena: ‘Anomalisa’<\/strong> maisulana.
\n<\/strong><\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

  Iritsi da urteroko \u201cgaupasa-zinezale-friki-sakratua\u201d egiteko momentua. Kafea, fruitu lehorrak eta mota guztietako litxarreriak alboan ditugula, geroz eta astunagoa izaten den Oscar sarien gala ikusteko ordua iritsi da – bai, ohitura bilakatu da niretzat sari hauek urtero ikustea, baina aitortu beharra dago, jasanezina izaten dela askotan, eta batez ere interes eta faltsukeriaz beterikoa- . Igandean […]<\/p>\n","protected":false},"author":54,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,18,21],"tags":[1069,1070,1074],"class_list":["post-7985","post","type-post","status-publish","format-standard","hentry","category-albisteak","category-pelikulak","category-sariak","tag-oscar-sariak-2016","tag-oscar-sariak-2016-apustuak-martxan","tag-oscar-sariak-gaizka-izagirre"],"yoast_head":"\nOscar sariak 2016: apustuak martxan! - Ikusi makusi, zer ikusi?<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogak.argia.eus\/gaizka-izagirre\/2016\/02\/25\/oscar-sariak-2016-apustuak-martxan\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oscar sariak 2016: apustuak martxan! - Ikusi makusi, zer ikusi?\" \/>\n<meta property=\"og:description\" content=\"  Iritsi da urteroko \u201cgaupasa-zinezale-friki-sakratua\u201d egiteko momentua. Kafea, fruitu lehorrak eta mota guztietako litxarreriak alboan ditugula, geroz eta astunagoa izaten den Oscar sarien gala ikusteko ordua iritsi da – bai, ohitura bilakatu da niretzat sari hauek urtero ikustea, baina aitortu beharra dago, jasanezina izaten dela askotan, eta batez ere interes eta faltsukeriaz beterikoa- . 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