{"id":49,"date":"2013-07-18T16:49:50","date_gmt":"2013-07-18T16:49:50","guid":{"rendered":"http:\/\/www.argia.eus\/blogak\/gasteizkeriak\/?p=49"},"modified":"2013-07-18T16:49:50","modified_gmt":"2013-07-18T16:49:50","slug":"haundia-frisell","status":"publish","type":"post","link":"https:\/\/blogak.argia.eus\/gasteizkeriak\/2013\/07\/18\/haundia-frisell\/","title":{"rendered":"Haundia Frisell"},"content":{"rendered":"<p>Ezusteko galanta Jazzaldian lehen gau &#8220;serioan&#8221; izan nuena. Aitortu behar dut ez dudala oso gustoko Bill Frisellen unibertso sonoroa. Saiatu nintzen bere azken lana <a title=\"&quot;Big Sur&quot;\" href=\"http:\/\/www.londonjazznews.com\/2013\/06\/cd-review-bill-frisell-big-sur.html\">&#8220;<em>Big Sur<\/em>&#8220;<\/a> \u00a0maitatzen, baina oso, oso latza egin zitzaidan. Hala ere, asteartean zintzo zintzo geratu nintzen bere emanaldi ikustera, erlojuak gaueko hamaikak laurden gutxi emanak zituenean (egoera ez oso egokia biharamunean goiz lanera joan behar duzunean). Gauzak horrela, Bill Frisellek zuzendutako <em>Big Sur<\/em> seikoteak (kitarra elektrikoa, bi bibolin, biola eta biolontxelo bana eta bateria batek osatzen zutena) taularatu zenean eta bere lehen notak bota zituenerako, harrapatuta nengoen. Aurreko egunean baino jende gutxiago bertaratu zen. Eta horietako erdiak baino gehiagok ez zuen belarri onez onartu Frisellen soinu proposamena. Ezin esan jazza denik, musika askotariko mistura baitauka barruan (country, pop, blues, &#8230;) baina azken finean soinu dotore bezain fina isladatzen du.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1543.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-51\" title=\"Bill Frisell Gasteizko Jazzaldian\" src=\"https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1543-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1543-300x225.jpg 300w, https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1543-1024x768.jpg 1024w, https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1543-768x576.jpg 768w, https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1543-1536x1152.jpg 1536w, https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1543-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Ordurako, Ibrahim Maaloufen eskaintza atseginaz gozatu genuen lehen zatian. Horretan bere azken proiektuaren berri eman zigun, &#8220;<em>Wind<\/em>&#8221; . Eta emanaldiak\u00a0\u00a0Ren\u00e9 Clair-en\u00a0<em>\u2018La Proie du Vent<\/em>\u2019 1927ko soinu gabeko \u00a0filmean hasiera izan bazuen ere, Louis Malleren &#8220;<em>Ascenseur por l\u00b4\u00e9chafaud<\/em>&#8221; filmararte jarraitu zuen. Filma horretako musika Miles Davisek idatzi zuen. Bide horretan, Maurice Andr\u00e9 tronpeta jotzaile klasiko frantziarra bere izena aurkitu ez dudan tronpeta jotzaile klasiko errusiar bat eta Serge Gainsbourg eta Julliete Gr\u00e9cco agertu ziren. Azken finean, Maalouf erakutsi zigun zein izan den bere unibertso bitala.<\/p>\n<p>Gaueko momenturik onena izan zen Serge Gainsbourgen, Julliette Gr\u00e9corentzako idatzitako &#8220;<em>Le Javainese<\/em>&#8221; jo zuenean.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-53\" title=\"Ibrahim Maalouf eta Larry Grenadier\" src=\"https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1535-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1535-300x225.jpg 300w, https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1535-1024x768.jpg 1024w, https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1535-768x576.jpg 768w, https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1535-1536x1152.jpg 1536w, https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1535-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1538.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-52\" title=\"Ibrahim Maalouf Gasteizko Jazzaldian\" src=\"https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1538-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1538-300x225.jpg 300w, https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1538-1024x768.jpg 1024w, https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1538-768x576.jpg 768w, https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1538-1536x1152.jpg 1536w, https:\/\/blogak.argia.eus\/gasteizkeriak\/wp-content\/uploads\/sites\/105\/2013\/07\/DSCN1538-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ezusteko galanta Jazzaldian lehen gau &#8220;serioan&#8221; izan nuena. Aitortu behar dut ez dudala oso gustoko Bill Frisellen unibertso sonoroa. Saiatu nintzen bere azken lana &#8220;Big Sur&#8220; \u00a0maitatzen, baina oso, oso latza egin zitzaidan. Hala ere, asteartean zintzo zintzo geratu nintzen bere emanaldi ikustera, erlojuak gaueko hamaikak laurden gutxi emanak zituenean (egoera ez oso egokia biharamunean [&hellip;]<\/p>\n","protected":false},"author":107,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-49","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Haundia Frisell - Gasteizkeriak<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogak.argia.eus\/gasteizkeriak\/2013\/07\/18\/haundia-frisell\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Haundia Frisell - Gasteizkeriak\" \/>\n<meta property=\"og:description\" content=\"Ezusteko galanta Jazzaldian lehen gau &#8220;serioan&#8221; izan nuena. Aitortu behar dut ez dudala oso gustoko Bill Frisellen unibertso sonoroa. Saiatu nintzen bere azken lana &#8220;Big Sur&#8220; \u00a0maitatzen, baina oso, oso latza egin zitzaidan. 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