{"id":2688,"date":"2012-06-12T12:29:26","date_gmt":"2012-06-12T10:29:26","guid":{"rendered":"http:\/\/argia.eus\/erredakzio-mahaia\/mikel-asurmendi\/?p=2688"},"modified":"2012-06-12T12:29:26","modified_gmt":"2012-06-12T10:29:26","slug":"xora-ausartaz-bigarrenez","status":"publish","type":"post","link":"https:\/\/blogak.argia.eus\/mikel-asurmendi\/2012\/06\/12\/xora-ausartaz-bigarrenez\/","title":{"rendered":"Xora ausartaz (bigarrenez)"},"content":{"rendered":"
\"Ausardia<\/a>

Ausardia da xoroen ezaugarria. <\/p><\/div>\n

Maulen estreinatu zen Xora <\/em>filma, baina ezin izan nuen ikusi. Donostiako aurkezpenean ikusi ondoren, hizpide<\/a> ukan nuen. Atzo Hendaiako Variet\u00e9s antzokian ikusi nuen bigarrenekoz.<\/p>\n

Horra jarraian beste aburu sorta bat:<\/p>\n

Iluna omen da Xora<\/em>. Baiki, bizitza nola! Xora<\/em> ausarta da, eiki, bizitza nora! Egileek, abiaburuan, ez omen zekiten zer egingo zuten ororen buruan. Anartean, \u201cez dakigu, baina entseatzen gira egitez\u201d pentsatu omen zuten. Nik uste, bazekiten\/badakite, eta horregatik egin dute, egin duten filma: duina. Dena dela ere, euren filosofiarekin geratu nahi dut, hots, \u201cegiteko egin egin egin behar dela\u201d delakoarekin. Egiten ikasten da. Gure gizartearen \u2013eta gure izate lotsatu eta herabetuaren\u2013 konplexuak hautsiz, egin egiten da. Bego.<\/p>\n

Hara, mintza nadin filmaz ami\u00f1i gehiago. Filmaz kanpokoaz lehenik:<\/p>\n

1\/ Filma hobeto itzulikatuko da Iparraldean, Hegoaldean baino. Frantzian hobeto Espainian baino. Hobeto diot, alde bateko zein besteko jendartearen ezaugarriak ezagututa. Tempo<\/em> kontua da. Tempo kontua, eta zinemarekiko bestelako kulturak izatea han eta hemen, hemen eta han. Oro har, ari nauzue.<\/p>\n

Filmaren barrukoaz, bigarrenik, eta bigarrenez:<\/p>\n

2\/ Xora<\/em> zubereraz izateak mugatu zidan berau endelegatzea \u201cosoki\u201d, edozein hizkuntzan \u201cosoki\u201d endelegatzea ere ezinezkoa dela jakitun. Baina, aldion, bigarrenez aise gehiago harrapatu dut funtsa, eta gehiago konprenitu ere, frantsesezko azpitituluak izaki bertsio honetan. Hots, filma errazago neureganatu dut gisa honetara, euskal mintzoa eta erdal idazkia batera uztartuz.<\/p>\n

3\/ Hartara, aktoreen narrazioak aise hobeki segitu ahal izan ditut, eta hobeki preziatu eta estimatu ere testuaren heina eta mamia. Peio Cachenaut-en istorioa zinez interesgarria da, ongi idatzia, euskarara ontsa ekarria. Literalki ongi garatua, hots, literaturaren bidean landua. Aberatsa eletan. Oi Zuberoa! Oi Zuberera!<\/p>\n

4\/ Horiek erranik, Jef Goienexpe eta Dominika Rekalt-en (X <\/em>eta Holly Wood<\/em>en roletan) interpretazio lanak berriz ere hizpide, bi ele: beste X<\/em> bat ikusi dut oraingoan, orekatuagoa, naski bere rola hobeki konprenitu dudalako. Baina, batez ere, beste Holly Wood <\/em>bat <\/em>antzeman dut. Izanik ere, Rekalt-ren rola narratiboagoa baita, literalagoa, zerebralagoa\u2026 Filma bi aldiz ikusi ondoren, hobeto kausitu ditut bi aktore nagusiak, eta are hobeto Dominika Rekalt. Eta honek berdin balio du ere, gaineratiko jokalarientzat, prefosta.<\/p>\n

5\/ Filma bitxia da, diferentea. Iluna. Eta istorio iluna garatzeko hartzen duen estiloa eta jite zinematografikoa ez da samurra. Aurreneko testuan erran bezala, ziur baduela zer hobetua. Ziur, egileen buruan zegoen istorioa, Peio Cachenaut-en buruan bereziki, ez dela azken buruan ekranean agertu dena, ez \u201cosoki\u201d bederen. Baina, hori ezein arte espresiotan inoiz ez da gauzatzen. Erran nahi baitut, \u201cliteraturaren\u201d bidean landu eta garatutako espresio zinematografikoak tempo, bitarteko \u2013medio eta baliabideak\u2013, eskarmentu eta esperientzia are gehiago biltzea eta pilatzea eskatzen duela. Horregatik, egilea \u2013eta lagundu dutenak\u2013 filma zinema geletan zabaltzera ausartu badira, ziur naiz, ekinaren ekinez, istorio borobila(go)ak filmatu eta pantailaratuko ditu(zt)ela. Ausardia baita xoroen ezaugarria.<\/p>\n

6\/ Joan eta beha. Beha eta adi. Mundu bakarra dago eta hamaika modu mundua irudikatzeko! Hamaika mundu sortzeko mundu-modu anitz. Gustuak gustu, egoerak egoera, nahiak nahi, beharrak behar, desioak desio, asmoak asmo\u2026 pleonasmo. Xora!<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Maulen estreinatu zen Xora filma, baina ezin izan nuen ikusi. Donostiako aurkezpenean ikusi ondoren, hizpide ukan nuen. Atzo Hendaiako Variet\u00e9s antzokian ikusi nuen bigarrenekoz. Horra jarraian beste aburu sorta bat: Iluna omen da Xora. Baiki, bizitza nola! Xora ausarta da, eiki, bizitza nora! Egileek, abiaburuan, ez omen zekiten zer egingo zuten ororen buruan. Anartean, \u201cez […]<\/p>\n","protected":false},"author":44,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[271,1172],"class_list":["post-2688","post","type-post","status-publish","format-standard","hentry","category-zinema","tag-cachenaut","tag-xora"],"yoast_head":"\nXora ausartaz (bigarrenez) - Katebegia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogak.argia.eus\/mikel-asurmendi\/2012\/06\/12\/xora-ausartaz-bigarrenez\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Xora ausartaz (bigarrenez) - Katebegia\" \/>\n<meta property=\"og:description\" content=\"Maulen estreinatu zen Xora filma, baina ezin izan nuen ikusi. Donostiako aurkezpenean ikusi ondoren, hizpide ukan nuen. Atzo Hendaiako Variet\u00e9s antzokian ikusi nuen bigarrenekoz. Horra jarraian beste aburu sorta bat: Iluna omen da Xora. Baiki, bizitza nola! Xora ausarta da, eiki, bizitza nora! Egileek, abiaburuan, ez omen zekiten zer egingo zuten ororen buruan. 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