{"id":295,"date":"2016-08-08T13:53:51","date_gmt":"2016-08-08T11:53:51","guid":{"rendered":"http:\/\/www.argia.eus\/blogak\/montserrat-auzmendi\/?p=295"},"modified":"2016-08-08T13:53:51","modified_gmt":"2016-08-08T11:53:51","slug":"teknika-aparta","status":"publish","type":"post","link":"https:\/\/blogak.argia.eus\/montserrat-auzmendi\/2016\/08\/08\/teknika-aparta\/","title":{"rendered":"Teknika aparta"},"content":{"rendered":"

Fitxa: Musika Hamabostaldia. Nikolai Lugansky, pianoa. Egitaraua: Franck, Schubert, Txaikovsky eta Rachmaninov-en obrak. Lekua: Kursaal Auditorioa. Data: abuztuaren 6a.<\/p>\n

Dohain ugari ditu Nikolai Lugansky piano joleak, baina horietako bat begibistan geratu zen Musika Hamabostaldian emandako errezitaldian: abilidade tekniko izugarria. Hori bai, ez da abilidade hutsa, baizik eta tresna bat bere mundu musikala kanporatzeko. Baina Lugansky-ren ideia musikalarekin ados egon zaitezke ala ez; bere teknika, berriz, ukaezina da, eta miresgarria.<\/p>\n

Hasi zen errezitaldia C\u00e9sar Franck-en \u2018Preludio, fuga eta bariazioa, op.18\u2019 obrarekin. Berez organoarentzat egina dagoen lan honek, eta Bauer-ek pianorako moldatuak, musikaltasun delikatua eskaintzen du, eta zailtasuna ere bai, moldaketa gehienetan gertatzen den bezala. Halere, Lugansky-k bertsio elegantea egin zuen, baketsua.<\/p>\n

Agian interpretazio eztabaidagarriena Schubert-ena izan zen. Konpositore honen \u2018D. 935 lau impromptu\u2019-en piano jolearen irakurketak ganbera musikaren barruan sartu nahi izan zuen publikoa. Oso bertsio intimista, leuna, delikatua egin zuen baina zertxobait planoa, koloregabea, tristea esango nuke, edo hori izan zen emandako inpresioa.<\/p>\n

Tonua erabat aldatu zen saioaren bigarren zatian. Musika errusiarra da bere eremua eta segituan nabaritu genuen. Txaikovsky-ren \u2018Urtaroak, op. 37\u2019 izeneko hamabi piezen artean, sei aukeratu zituen bakarlariak. Haien artean, hain polita den Ekaina, eta Urria sentimentala. Guztietan luzitu ziren musikariaren canbatile<\/em>-ak, soinu biribila eta adierazkortasuna. Eta, onena, bukaerarako: Rachmaninov-en \u2018Momentu musikalak, op. 16\u2019 obrak (seietatik lau jo zituen) benetan erakutsi zigun Lugansky-ren kalitate gorena. Teknikaren aldetik, esan bezala, akatsgabea, soinu zaindua, garbitasuna eta \u2018rash\u2019<\/em> interpretatiboa, den-dena. Rachmaninov purua. Publikoa txundituta utzi zuen errusiarrak. Bi propina bota zituen: Nikolai Medtner-en \u2018Canzone serenata\u2019, polita, eta Rachmaninov-en bostgarren preludioa, op. 23, adorez. Bikain.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fitxa: Musika Hamabostaldia. Nikolai Lugansky, pianoa. Egitaraua: Franck, Schubert, Txaikovsky eta Rachmaninov-en obrak. Lekua: Kursaal Auditorioa. Data: abuztuaren 6a.<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[98,389],"class_list":["post-295","post","type-post","status-publish","format-standard","hentry","category-musika-kritika","tag-cesar-franck","tag-nikolai-lugansky"],"yoast_head":"\nTeknika aparta - Nessun dorma<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogak.argia.eus\/montserrat-auzmendi\/2016\/08\/08\/teknika-aparta\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Teknika aparta - Nessun dorma\" \/>\n<meta property=\"og:description\" content=\"Fitxa: Musika Hamabostaldia. Nikolai Lugansky, pianoa. 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