{"id":303,"date":"2013-01-07T08:21:57","date_gmt":"2013-01-07T07:21:57","guid":{"rendered":"http:\/\/www.argia.eus\/blogak\/santi-leone\/?p=303"},"modified":"2013-01-07T08:21:57","modified_gmt":"2013-01-07T07:21:57","slug":"the-cabin-in-the-woods","status":"publish","type":"post","link":"https:\/\/blogak.argia.eus\/santi-leone\/2013\/01\/07\/the-cabin-in-the-woods\/","title":{"rendered":"The cabin in the woods"},"content":{"rendered":"
\"The<\/a>

The cabin in the woods: sorpresaz beteriko etxola<\/p><\/div>\n

The cabin in the woods<\/em>-ek bi sekretu ditu, bata txikia eta bertzea handixeagoa. Lehendabizikoa zein den jakiteko, aski da trailerra<\/a> ikustea, edo ia-ia filmaren edozein iruzkin kritiko irakurtzea. Bigarrena, handia, lehena baino sekretuagoa da, eta saiatuko naiz lerro hauetan ez hondatzen. Erran dezagun, halere, bigarren sekretu horrek oihartzun lovecraftiarrak dituela.<\/p>\n

 <\/p>\n

Drew Goddard-ek zuzendua (haren lehen filma da; orain arte ekoizle eta gidoilari ibilia zen) eta idatzia (Joss Whedonekin batera), filmaren-barneko-filma baliabidea da The cabin in the woods<\/em>-aren ezaugarri nagusia. Tira, zuzendariak ez du zehazki filmaren-barneko-filma baliabidea erabiltzen, filmaren barnean egiten dutena ez baita preseski fikziozko film bat, baina bai antzeko zerbait. Eta horren bidez, genero-zinemaren gaineko gogoeta egiten du eta egitera gonbidatzen gaitu.<\/p>\n

 <\/p>\n

\"In<\/a>

In the company of wolves? Et, et, et, The cabin in the woods<\/p><\/div>\n

Bi gidoilarien arabera, filma beldurrezko zinemari egindako \u201camodiozko gutuna\u201d da. Eta ezagun da biek genero-zinema maite dutela, baina kritika ere ez da falta pelikula honetan. Lehenik eta behin, maiz beldurrezko filmetan ikusten ditugun estereotipoen kontrako kritika dugu Goddarden lan honetan. Bortz lagun (bi neska eta hiru mutil) basoko etxola bakarti batera joan dira oporretan, eta fite halako tentsioa sortuko da benetan direnaren eta istorioan gorpuztu behar duten estereotipoaren artean. Bortz dira: Curt, alfa-arraren papera hartzen duen atleta<\/em>; Marty, etengabe maria erretzen duen mutil ergela<\/em>; Dana, birjina<\/em> omen den neska lotsatia; Holden, erudito<\/em> serio eta zentzuduna; eta Jules, nonbait puta<\/em> den neska ilehori kaskarina (letra etzaneko adjektiboak ez dira nireak; akaberan agertuko den barneko filmaren zuzendariak erabiliko ditu, zer gertatu den azaltzen ari delarik). Baina berez, bakar batek ere ez du estereotipo hori betetzen (eta horretaz, jakina, ergela<\/em> ohartuko da, hain ergela dela frogatzeko-edo), nahiz eta basoko etxolara ailegatu bezain laster horrela jokatzen hasiko diren.<\/p>\n

 <\/p>\n

\"Apostuak<\/a>

Apostuak egiten<\/p><\/div>\n

Alde horretatik, The cabin in the woods<\/em> franko hurbil dabil Tucker and Dale vs evil<\/em><\/a> (Elie Craig, 2011) filmak jorratutako gaietatik, azken hau ere beldurrezko filmetako estereotipoen inguruko hausnarketa baita. Ez da bi filmak hurbiltzen dituen kontu bakarra. Elie Craigena komedia da, komedia gore<\/em> samarra zenbait pasartetan, eta Drew Goddardenak ere, komedia izatera iritsi gabe, umorea eta beldurra uztartzen ditu. The cabin in the woods<\/em>-ek omentzen dituen 80ko hamarkadako lanek umorea eta beldurra uztartzen zituzten bezalaxe.<\/p>\n

 <\/p>\n

\"Zonbiak<\/a>

Zonbiak badira etxola honetan<\/p><\/div>\n

Izan ere, hori baita filmaren bertze ezaugarri bat: generoaren omenez egina da. Hasteko, titulua bera eta hasmentako ideia, Sam Raimi-ri eta haren The evil dead<\/em> (1981) filmari omenaldia da. Baina pertsonaia guziak sotora jautsi eta bertako objektuak ikusten ari direlarik, beldurrezko zinema da, bere osotasunean, omenaldia jasotzen duena. Soto hartako gauza bakoitzak film bati edo azpi-genero bati egiten baitio erreferentzia, Clive Barkerren Hellraiser<\/em> pelikulatik (Holdenek eskuetan hartzen duen jostailua zenobiten kuboaren antzekoa da) torture porn<\/em> azpi-generora, zonbien eta otso-gizonen filmetarik pasatuz (sotoan, bidenabar erranda, filmeko esaldirik gogoangarriena adituko dugu: aspaldian etxola hartan bizi izan zen neska baten egunkaria aurkituko du Danak; bertan, aita sadikoaren eskutik jasandako sufrimenduak kontatzen ditu neskak, eta honela deskribatzen du haren jarrera bertzeen oinazeen aitzinean: \u201cbut cutting the flesh makes him have a husband’s bulge, and I don’t get like that<\/em>\u201d).<\/p>\n

 <\/p>\n

\"Nork<\/a>

Nork erran du film hau ez dela odoltsua?<\/p><\/div>\n

Generoari egiten zaion amodiozko adierazpenarekin batera, zinema mota horren publikoaren inguruko kritika ere bada, nire ustez. Filmaren barneko filma egiten ari direnen jarrera voyeur<\/em> axolagabea, aipatu bortz pertsonaiak banan-banan hiltzen ari diren bitartean, nahiko adierazkorra da. Arreta pantailan atxikia edukitzeko gero eta odol eta bortizkeria gehiago eskatzen duen publikoaren gainean egiten du gogoeta Goddarden filmak. The cabin in the woods<\/em> bera ez da oso-oso odoltsua (tira, odola bada, eta bortizkeria, baina gaurko joera batzuk kontuan hartuta, nahiko pelikula neurritsua da): beraz, gaurko gehiegikeria batzuk kritikatzen ari da? Baliteke. Iraganeko eredu \u201cklasikoetara\u201d bueltatzea proposatzen ari da? Beharbada. Baina, akaso, zuzendariak begirada metazinematografiko hori generoari freskotasuna emateko erabili du, generoaren betiko baliabideak eta trikimailuak erabiliz zerbait berria eskaintzeko (edo zerbait berria ikusten ari garelako sentipena sorrarazteko). Agian, ustezko kritika horiek guziak genero-lan bikain baten berniza bertzerik ez dira.<\/p>\n

 <\/p>\n

\""Cutting<\/a>

“Cutting the flesh makes him have a husband’s bulge”: sufrimendua eragitea du gustukoen<\/p><\/div>\n

Edonola ere, material zaharrekin produktu interesgarria lortu du Drew Goddardek The cabin in the woods<\/em> honetan. Generoa ezagutzen ez dutenak istorioak harrapatuko ditu; beldurrezko zineman adituxeagoak direnek ederki pasatuko dute erreferentziak harrapatzen eta generoaren mekanismo batzuk nola gelditzen diren agerian ikusten. Edonola ere, ahal baduzu, eros ezazu DVDa edo jautsi ezazu filma Internetetik, antza ez baita gure aretoetara ailegatuko.<\/p>\n","protected":false},"excerpt":{"rendered":"

The cabin in the woods-ek bi sekretu ditu, bata txikia eta bertzea handixeagoa. Lehendabizikoa zein den jakiteko, aski da trailerra ikustea, edo ia-ia filmaren edozein iruzkin kritiko irakurtzea. Bigarrena, handia, lehena baino sekretuagoa da, eta saiatuko naiz lerro hauetan ez hondatzen. Erran dezagun, halere, bigarren sekretu horrek oihartzun lovecraftiarrak dituela.   Drew Goddard-ek zuzendua (haren […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[59,77,82,107,144,220,258,260],"class_list":["post-303","post","type-post","status-publish","format-standard","hentry","category-beldurrezkoa","tag-clive-barker","tag-drew-goddard","tag-elie-craig","tag-hellraiser","tag-joss-whedon","tag-sam-raimi","tag-the-cabin-in-the-woods","tag-the-evil-dead"],"yoast_head":"\nThe cabin in the woods - Odolaren mintzoa<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogak.argia.eus\/santi-leone\/2013\/01\/07\/the-cabin-in-the-woods\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The cabin in the woods - Odolaren mintzoa\" \/>\n<meta property=\"og:description\" content=\"The cabin in the woods-ek bi sekretu ditu, bata txikia eta bertzea handixeagoa. 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