{"id":319,"date":"2013-02-01T14:01:49","date_gmt":"2013-02-01T13:01:49","guid":{"rendered":"http:\/\/www.argia.eus\/blogak\/santi-leone\/?p=319"},"modified":"2013-02-01T14:01:49","modified_gmt":"2013-02-01T13:01:49","slug":"wrong","status":"publish","type":"post","link":"https:\/\/blogak.argia.eus\/santi-leone\/2013\/02\/01\/wrong\/","title":{"rendered":"Wrong"},"content":{"rendered":"

 <\/p>\n

\"Wrongeko<\/a>

Wrongeko protagonista, zakurren psikologia ikasten<\/p><\/div>\n

Rubber<\/em><\/a>-en (2010), Quentin Dupieux-en aitzineko filmean, gurpil bat dugu pertsonaia nagusia. Hobeki erranda, gurpil hiltzaile bat. Edo, are zehatzago adierazia, botere telekinetikoei esker jendearen burua leherrarazteko gaitasuna duen gurpil hiltzaile bat. Tartean, gainera, badira gogoeta meta-zinematografikoak, txiste maltzurrak eta basamortuan pozoiturik hiltzen diren ikusle xelebreak.<\/p>\n

 <\/p>\n

\"Lorazain<\/a>

Lorazain franko-mexikarra<\/p><\/div>\n

Neurri handi batean, Wrong<\/em> <\/a>koherentea da Rubber<\/em>-en eraikitako estiloarekin, nahiz eta abiapuntua eta ondorengo ildo narratiboa aise sinpleagoak eta, itxuraz, errealistagoak diren: goiz batez, Dolph Springer (Jack Plotnick) itzarri eta ez du bere zakurra etxean aurkitu; atsekabeturik, film osoan animaliaren bila ibiliko da. Wrong<\/em>eko unibertsoa (edo Dolph Springerren mundua, nahiago bada) amildegi baten ertzean dago egina, euskarri hauskor baten gainean: normaltasunaren mintz finaren azpian, nabari-nabaria da noiznahi erroizteko arriskua. Eta horixe da, izan ere, filmaren gai nagusia: euskarrien beharra, ez nahitaez euskarri sendoen beharra, baina bai heldulekuren batena.<\/p>\n

 <\/p>\n

\"Zakurren<\/a>

Zakurren hezlea, momentu mistiko batean<\/p><\/div>\n

Quentin Dupieux-ek irudikatu duen mundua detaile absurdoz betea dago: Dolphen iratzargailuan, adibidez, ordua 07:59tik 07:60ra pasatzen da, ez 08:00etara. Etxe ondoko lorategian, egun batetik bertzera palmondoa desagertu eta pinu bihurtu zaio. Maskoten detektibe batek zakur-kaka puska baten azken oroitzapenen grabazioa erakutsiko dio. Bulegoan \u2013bulego barnean, erran nahi baita, teilatupean\u2013 euria ari du etengabe, baina horrek, nonbait, langile bakar bat ere ez du harritzen. Harritzen dituena da Dolph lanera egunero joatea, hilabeteak baitira kanporatu zutela. Baina, antza, bere bizimodua aurrera eramatekotan, horrelako euskarriak, horrelako errutinak nahitaezkoak ditu gure protagonistak. Hori, eta bere zakurra.<\/p>\n

 <\/p>\n

Zakurra. Jendea ez baita fidagarria Wrong<\/em>en. Lorazain franko-mexikarrak inolako problema edo dudarik gabe Dolph engainatuko du, berez Dolph ezagutu nahi zuen neska batekin oheratzeko. Lankideek ez dute problemarik euri erauntsiaren azpian lan egiteko, baina ezin dute jasan Dolph egunero lantokian agertzea, inori trabarik egiten ez badio ere. Etxera sartuko zaion emakumeak egun batzuez hankaz goiti jarriko du Dolphen bizimodua. Bai, okerreko mundu horretan, zakurra du helduleku bakarra Dolph Springerrek.<\/p>\n

 <\/p>\n

\"Guti,<\/a>

Guti, baina odol pixka bat ere ikusiko dugu<\/p><\/div>\n

Eta, azkenean, bai, zakurraren berri izanen dugu C\u00e9sar Mill\u00e1n<\/a>en parodia izaterainoko antza duen pertsonaia baten bidez. Animalia desagertu izana, nolabait, Dolphi ezarritako proba bat izan dela jakinen dugu, maskotari zion maitasuna norainokoa zen ikus zezan. Testamentu Zaharrean jainkoak ezarritako proben parodia begi-bistakoa da, nire ustez.<\/p>\n

 <\/p>\n

Nolanahi ere, Quentin Dupieux-en pelikula arrunt misantropoa edo arrunt zinikoa ote den, broma handia ote den edo gizakien naturaren inguruko hausnarketa sakona, bada, filmaren akaberan eztabaida hori irekia gelditzen da, ikusleak ebazteko. Bidaian, honek irudi harrigarri batzuekin, ideia zirraragarri zenbaitekin eta istorio absurdo eta ironiko samar batekin gozatzeko aukera izanen du. Ez da guti.<\/p>\n","protected":false},"excerpt":{"rendered":"

  Rubber-en (2010), Quentin Dupieux-en aitzineko filmean, gurpil bat dugu pertsonaia nagusia. Hobeki erranda, gurpil hiltzaile bat. Edo, are zehatzago adierazia, botere telekinetikoei esker jendearen burua leherrarazteko gaitasuna duen gurpil hiltzaile bat. Tartean, gainera, badira gogoeta meta-zinematografikoak, txiste maltzurrak eta basamortuan pozoiturik hiltzen diren ikusle xelebreak.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[198,216,303],"class_list":["post-319","post","type-post","status-publish","format-standard","hentry","category-egile-zinema","tag-quentin-dupieux","tag-rubber","tag-wrong"],"yoast_head":"\nWrong - Odolaren mintzoa<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogak.argia.eus\/santi-leone\/2013\/02\/01\/wrong\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wrong - Odolaren mintzoa\" \/>\n<meta property=\"og:description\" content=\"  Rubber-en (2010), Quentin Dupieux-en aitzineko filmean, gurpil bat dugu pertsonaia nagusia. Hobeki erranda, gurpil hiltzaile bat. Edo, are zehatzago adierazia, botere telekinetikoei esker jendearen burua leherrarazteko gaitasuna duen gurpil hiltzaile bat. 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