{"id":390,"date":"2013-06-20T06:19:48","date_gmt":"2013-06-20T05:19:48","guid":{"rendered":"http:\/\/www.argia.eus\/blogak\/santi-leone\/?p=390"},"modified":"2013-06-20T06:19:48","modified_gmt":"2013-06-20T05:19:48","slug":"the-abcs-of-death","status":"publish","type":"post","link":"https:\/\/blogak.argia.eus\/santi-leone\/2013\/06\/20\/the-abcs-of-death\/","title":{"rendered":"The ABCs of death"},"content":{"rendered":"
\"Afixa<\/a>

Afixa ederra, baina filmaren edukia ongi islatzen ez duena<\/p><\/div>\n

Hainbat zuzendariren artean egindako filmak ez dira gauza berria (hortxe dugu, errate baterako, 1983ko Twilight Zone: The Movie<\/em>, lau film egile \u2013Joe Dante, John Landis, George Miller eta Steven Spielberg\u2013 bildu zituena), baina iduri luke azken bolada honetan modan jartzen ari dela berriz ere. Istorio laburrez osaturiko film mota horretako bi adibide inportante izan ditugu berriki, The Theatre Bizarre<\/em><\/a>\u00a0 (2011) eta V\/H\/S<\/em><\/a>\u00a0 (2012); azken honen bigarren zatia, gainera, martxan da. Atalka egindako film horiek gomendagarriak izaten dira denbora guti duen jendearendako: batzuetan film bat ikusteko bi orduko tarte bat harrapatzea zaila bada ere, ia-ia guziok izanen genituzke hogei minutu pantailaren aitzinean jartzeko. Hogei minutu horiek merezi ote duten bertze kontu bat da, jakina, maiz franko gorabeheratsua izaten baita horrelako talde-lanetan biltzen diren istorioen kalitatea.<\/p>\n

The ABCs of Death<\/em><\/a>\u00a0 (2012) filmak muturreraino eraman ditu goitian aipatu bi arau horiek: 26 film labur biltzen ditu (istorio bakoitzak, banaz bertze, lau minutu irauten du), eta, kalitateari dagokionez, denetarik dugu, istorio bikainetik arrunt kaskarreraino, nahiz eta, zoritxarrez, erdipurdikoa gailentzen den.<\/p>\n

\"Xavier<\/a>

Xavier Gens-en “X is for XXL”, edo Dukan dietak huts egiten duenekoa<\/p><\/div>\n

Ideia polita da: alfabetoko letra bat emanda, zuzendari bakoitzak heriotzari buruzko film txiki bat egin behar zuen heriotzari buruz, askatasun osoz. Hogeita sei hizki, eta hogeita zazpi zuzendari (\u201cO is for Orgasm\u201d zatia H\u00e9l\u00e8ne Cattet eta Bruno Forzani bikoteak zuzendua baita). Alde guzietan, pluraltasuna da nagusi proiektu honetan: zuzendarien jatorrian (badira europarrak \u2013Nacho Vigalondo, Ben Wheatley, Xavier Gens…\u2013, amerikarrak \u2013Ti West, Jason Eisener…\u2013 eta asiarrak \u2013 Yoshihiro Nishimura, Timo Tjahjanto, Banjong Pisanthanakun…\u2013), gaiari heltzeko maneran (komedia, gorea, kritika soziala, zientzia fikzioa…), eta, aipatu bezala, emaitzetan. Istorio gehienak 4 minutu ingurukoak badira ere, batzuk nabarmen laburragoak dira (naski Ti Westen \u201cM is for Miscarriage\u201d eta Andrew Traucki-ren \u201cG is for Gravity\u201d dira motzenak – Trauckirena, gainera, txarrena da naski), eta baten bat luzexeagoa da (segur aski Timo Tjahjantoren \u201cL is for Libido\u201d da luzeena \u2013 eta hala ez balitz ere, ikusleari luze egiten zaio, hain da gogorra). Filmaren afixak bertzelako mezua helarazi arren, The ABCs of Death<\/em>ez da beldurrezko film bat: zenbait istoriotan bada suspentsea, eta tentsioa, baina ikara bertze nonbait bilatu beharko du ikusleak.<\/p>\n

\"Yoshihiro<\/a>

Yoshihiro Nishimuraren porrot egindako eromena<\/p><\/div>\n

Filmari Nacho Vigalondoren \u201cA is for Apocalypse\u201d istorioak ematen dio hasiera, hasiera duina, baina nonbait<\/p>\n

\"Gezurra<\/a>

Gezurra badirudi ere, gizakiaren lagunik onena da<\/p><\/div>\n

Vigalondoren zati bat aski ez, eta Ernesto D\u00edaz Espinozak haren Cronocr\u00edmenes<\/em>\u00a0 kopiatu edo inspirazio gisa erabili du \u201cC is for Cycle\u201d istoriorako. Vigalondok umorea eta gorea nahasten ditu berean, eta bi osagai horiek maiz errepikatzen dira bertze zenbait zatitan. Umorea, halere, maiz eskatologikoa da: Noboru Iguchi-ren \u201cF is for Fart\u201d eta Anders Morgenthalerren \u201cK is for Klutz\u201d filmek puzkerrekin eta kakarekin egiten dituzte beren bromak, grazia handirik izan gabe. Goreari dagokionez, segur aski Xavier Gens-en \u201cX is for XXL\u201d zatia da gogoangarrienetarik, eta, nire ustez, film osoko hoberenetarik. Yoshihiro Nishimuraren “Z is for Zetsumetsu”-n ere odola ausarki ikusiko dugu, Tokyo Gore Police<\/em>\u00a0 filmaren zuzendariarengandik espero zitekeen bezala, baina japoniarraren zatiak ez du ez buru ez buztan.<\/p>\n

\""L<\/a>

“L is for Libido”<\/p><\/div>\n

Batzuk gaia ikuspuntu original batetik lantzen saiatu dira. \u201cV is for Vagitus\u201d istorioan, Kaare Andrews zientzia fikzioaren lurraldean sartzen da, ederki sartu ere. Simon Rumley-ren \u201cP is for Pressure\u201d istorio polita da, ama bat seme-alabak kontent izateagatik\u00a0noraino ailegatzen ahal den xarmantki kontatzen duena, baina, nire iduriko, lekuz kanpo dagoena antologia honetan, neketan sailkatzen ahal baita zinema fantastiko bezala. Timo Tjahjantok plazeraren eta sufrimenduaren arteko harremanaren gaineko halako gogoeta bat egiten du \u201cL is for Libido\u201d zatian, baina, erran bezala, irudi gogorrak ditu, eta ez da ikusle gehienen gustukoa izanen. Adam Wingard-ek metazinema egiten du \u201cQ is for Quack\u201d ariketa ironiko eta zinez txalogarrian. Eta Marcel Sarmientoren \u201cD is for Dogfight\u201d-ek laudorioak jaso ditu irakurri ditudan kritika guzietan, baina niri ez zitzaidan bereziki gustatu.<\/p>\n

\"Nacho<\/a>

Nacho Vigalondoren “A is for Apocalypse”<\/p><\/div>\n

Lan onak ez dira falta The ABCs of Death\u00a0<\/em>, baina, oro har, ez da film bikaina. Zati batzuk aspergarriak dira, eta bertze batzuk ergel samarrak: bakarrik tarteka-tarteka aurkituko ditu ikusleak harribitxi batzuk, eta harribitxi horiek guziak ez dira lehen mailakoak. Iruzkin honetan nik gustuko izan ditudan batzuk aipatu ditut, baina horietarik ere gehienak, nire ustez, ez dira zoragarriak. Eta problema ez da filmari koherentzia falta zaiola: alderantziz, proiektuak duen ikuspuntu pluraltasun hori ona da. Benetako arazoa izan da zuzendari gehienek ez dutela formatu motz horretan asmatu. Ea hurrengo batean.<\/p>\n","protected":false},"excerpt":{"rendered":"

Hainbat zuzendariren artean egindako filmak ez dira gauza berria (hortxe dugu, errate baterako, 1983ko Twilight Zone: The Movie, lau film egile \u2013Joe Dante, John Landis, George Miller eta Steven Spielberg\u2013 bildu zituena), baina iduri luke azken bolada honetan modan jartzen ari dela berriz ere. Istorio laburrez osaturiko film mota horretako bi adibide inportante izan ditugu […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,8,10,13,15],"tags":[64,183,255,305],"class_list":["post-390","post","type-post","status-publish","format-standard","hentry","category-giallo-a","category-gore-a","category-uncategorized","category-suspentsea","category-zientzia-fikzioa","tag-cronocrimenes","tag-nacho-vigalondo","tag-the-abcs-of-death","tag-xavier-gens"],"yoast_head":"\nThe ABCs of death - Odolaren mintzoa<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogak.argia.eus\/santi-leone\/2013\/06\/20\/the-abcs-of-death\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The ABCs of death - Odolaren mintzoa\" \/>\n<meta property=\"og:description\" content=\"Hainbat zuzendariren artean egindako filmak ez dira gauza berria (hortxe dugu, errate baterako, 1983ko Twilight Zone: The Movie, lau film egile \u2013Joe Dante, John Landis, George Miller eta Steven Spielberg\u2013 bildu zituena), baina iduri luke azken bolada honetan modan jartzen ari dela berriz ere. 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